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Anthropology and Sociology

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Showbiz Kids

   2020    Culture
A documentary about the highs and lows of children in show business, featuring interviews and examinations of the lives and careers of the most famous former child actors in the world. The film opens with a montage spotlighting most of those people, along with others who had better luck (like Ron Howard, Jodie Foster, and Daniel Radcliffe), finally landing on a photograph of the documentary’s director, Alex Winter, who was a child actor on and off Broadway.
The reality of child stardom is that an essential unreality is baked into it. That‘s why it’s so often about the wheels coming off at high speeds. Child stardom now feels like one of the last aspirations of a decadent, no-future America. And 'Showbiz Kids' is an invaluable primer of its risks and rewards.

Stories We Tell

   2012    Culture
Polley is both filmmaker and detective as she investigates the secrets kept by a family of storytellers. She playfully interviews and interrogates a cast of characters of varying reliability, eliciting refreshingly candid, yet mostly contradictory, answers to the same questions. As each relates their version of the family mythology, present-day recollections shift into nostalgia-tinged glimpses of their mother, who departed too soon, leaving a trail of unanswered questions. Polley unravels the paradoxes to reveal the essence of family: always complicated, warmly messy and fiercely loving.
Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families.

My Own Man

   2014    Culture
David the filmmaker is 40 years old, but he still doesn't feel like a man - not a real man anyway. When his wife becomes pregnant with a boy, David's manhood insecurities deepen. How can he bring his son into manhood if he feels so estranged from his own? This question sets him off on a quest for his manhood that leads him from voice lessons to a men's group to deer-hunting, and ultimately back to his own father. My Own Man is an intimate, humorous, and emotional account of one man's search for what it means to be a man and a father in the 21st century.

Traceroute

   2016    Culture
A Personal Journey Into The Uncharted Depths Of Nerd Culture, A Realm Full Of Dangers, Creatures And More Or Less Precarious Working Conditions.
Artist and life-long nerd Johannes Grenzfurthner is taking us on a personal road trip from the West Coast to the East Coast of the USA, to introduce us to places and people that shaped and inspired his art and politics. Traceroute wants to chase and question the ghosts of nerddom's past, present and future. An exhilarating tour de farce into the guts of trauma, obsession and cognitive capitalism.

One of Us

   2017    Culture
The film explores the opaque world of Hasidic Judaism through a cadre of fascinating characters. Through unique and intimate access over the span of three years, acclaimed observational filmmakers Heidi Ewing and Rachel Grady delve into the lives of three brave individuals who have recently made the decision to leave the insular ultra-orthodox community at the expense of all else, including relationships with their family members and--in one case--their personal safety.
With a sensitive and compassionate eye, One of Us chronicles the achingly cinematic journey of people in search of a personal freedom that comes only at a very high cost.

Metal

   2005    Culture
An examination of the heavy metal music subculture that tries to explain why, despite the longevity and popularity of the genre, fans are marginalized and ridiculed for their passion.
Sam Dunn is a anthropologist and a lifelong metal fan. After years of studying diverse cultures, Sam turns his academic eye a little closer to home and embarks on an epic journey into the heart of heavy metal. His mission: to figure out why metal music is consistently stereotyped, dismissed and condemned, even while the tribe that loves it stubbornly holds its ground -- spreading the word, keeping the faith and adopting styles and attitudes that go way beyond the music.
Sam visits heavy metal landmarks as far flung as L.A.'s Sunset Strip, the dirty streets of Birmingham and the dark forests of Norway. Along the way, the two sides of Sam Dunn -- curious anthropologist and rabid fan -- collide, as Sam explores metal's obsession with sex, religion, violence and death, meets his heroes, and discovers some things about the culture that even he can't defend.
Space

Space

2001  Science
Seven Ages of Rock

Seven Ages of Rock

2007  Art
High Score

High Score

2020  Technology
Big Oil vs The World

Big Oil vs The World

2022  Nature