Supertramp's 'Breakfast in America' was the biggest selling album in the world in 1979. Following the album's release Supertramp embarked on a 10 month world tour which arrived in Paris at the end of November. Now, transferred and restored from the original 16mm film, this footage is available to Supertramp's legion of fans worldwide. In July 2006, the original master tapes of the album 'Supertramp: Live In Paris' were rediscovered in the Northern California barn of the band's drummer Bob Siebenberg, along with video footage. The tapes were sent to Cups 'N Strings Studios in Woodland Hills, California, for digital remastering. The tapes were initially in bad technical shape, but were successfully transferred to a digital format. The original idea was to feature heavily footage of Paris, adding a story in The Song Remains the Same. The sound was remixed by Peter Henderson and Supertramp's original sound engineer Russel Pope from the original multi-tracks.
(click CC for subtitles) 'a-ha' is Norway's only international pop band and their hit 'Take On Me' is still one of the most-played songs of the last millennium. The film follows the band over a period of four years, telling the full story of how three young men followed their impossible dream of becoming Norwegian pop stars. When 'Take On Me' reached number 1 on Billboard in the US in 1985, the dream came true. Or did it? Almost 35 years after their breakthrough, a-ha still creates magic on stage with their melancholic and timeless music. They tour the world but drive in separate cars and stay in separate hotel rooms. They only meet on stage, doing the one thing they love. The film closely portrays the challenging creative and personal dynamics of a group of three strong individuals who have grown up together, but in different directions. What does success do to friendship? Why are they not capable of creating new music together anymore? This is a story of great music, big ambitions, broken friendship--and maybe forgiveness.
Without doubt, the Eagles are one of the all-time biggest acts in popular music since the dawn of the rock'n'roll era. The band's roots go back to their role as defining artists in the phenomenally popular Southern California rock scene of the '70s, a decade in which they delivered four consecutive #1 albums. Their momentous 2004 farewell tour filled stadiums around the world, and this series captures one of the most stellar events from that now-historic global sweep. It was filmed in Melbourne, Australia at the Rod Laver Arena on November 14, 15 and 17, 2004.
Three years in the making, Francis Whately’s film is a social and musical history of (probably) the world’s greatest music festival, as told by its principal curators, Michael and Emily Eavis, and many of the key artists who’ve appeared there between 1970 and 2019 – Billie Eilish, Thom Yorke, Florence Welch, Dua Lipa, The Levellers, Aswad, Orbital, Fatboy Slim, Linda Lewis, Noel Gallagher, Ed O’Brien, Chris Martin, Stormzy and more. Balancing the driving forces of social conscience and hedonism, Glastonbury has always been both a world apart and a barometer of the state of the nation. Looking at the hippie days, CND, the contribution of the travellers, dance music, Britpop, The Wall, the impact of television and the first black British solo headliner, this film takes viewers backstage and deep into the archive to reveal the forces that have driven this alternative nation between utopia and dystopia, the greatest night of your life and a muddy field in the middle of nowhere. This is not a chronological plod through the festival’s evolution so much as a thematic and story-driven exploration of the peaks and troughs, and the agonies and ecstasies, that have shaped Glastonbury’s 50 years and counting.
The film offers an in-depth and intimate portrait of the band's spectacular rise from the backrooms of Camden pubs to selling out stadiums across the planet. At the heart of the story is the band's unshakeable brotherhood which has endured through many highs and lows. Using extensive unseen archive, behind-the-scenes and live footage, 'A Head Full of Dreams' sees the band reflect upon their two decades together. It was filmed during Coldplay's record-breaking A Head Full Of Dreams Tour, which was certified as the third biggest tour of all time, playing to more than 5.5 million fans across the world. The film is directed by Mat Whitecross - director of Supersonic, the acclaimed 2016 Oasis documentary - who met the four friends at college in London, before they'd even formed the band. From the very first rehearsal in a cramped student bedroom, Whitecross has been there to capture the music and the relationships on tape.
The film documents the English heavy metal band Black Sabbath's final show of their farewell concert tour, The End Tour. The performance was held at the Genting Arena in Birmingham, England, hometown of the band's founding members: vocalist Ozzy Osbourne, guitarist Tony Iommi, bassist Geezer Butler, and drummer Bill Ward. Osbourne, Iommi, and Butler performed this final concert with session drummer Tommy Clufetos in place of Ward, as well as Adam Wakeman on keyboards and guitar. The concert opens with a performance of the song 'Black Sabbath'. The film goes on to show the band performing 'Fairies Wear Boots', 'Under the Sun/Every Day Comes and Goes', 'Into the Void', 'Snowblind', 'War Pigs', 'Hand of Doom', 'Iron Man', and 'Children of the Grave'; at the end of the setlist, the band performs the song 'Paranoid' as an encore. Interspersed with the final concert are interviews with Osbourne, Iommi, and Butler, in which they talk about their careers and past drug addictions. Additionally, Iommi's 2012 lymphoma diagnosis, which impacted the band's 2012–14 reunion tour and the recording of their 2013 album 13, is discussed. The film also features footage of 'The Angelic Sessions'—the band's final studio recordings, which took place in the days following the final show. Of these recordings, the film shows Osbourne, Iommi, and Butler performing 'The Wizard', 'Wicked World', and 'Changes'.
In July 2006, the original master tapes of the album 'Supertramp: Live In Paris' were rediscovered in the Northern California barn of the band's drummer Bob Siebenberg, along with video footage. The tapes were sent to Cups 'N Strings Studios in Woodland Hills, California, for digital remastering. The tapes were initially in bad technical shape, but were successfully transferred to a digital format.
The original idea was to feature heavily footage of Paris, adding a story in The Song Remains the Same. The sound was remixed by Peter Henderson and Supertramp's original sound engineer Russel Pope from the original multi-tracks.