‘Sugarcane’ is a compelling 2024 documentary that delves into the harrowing legacy of the Canadian Indian residential school system. The film investigates the discovery of unmarked graves at St. Joseph's Mission near Williams Lake, British Columbia, bringing to light the physical and sexual abuses endured by Indigenous children. Through intimate interviews with survivors and their descendants, directors Julian Brave NoiseCat and Emily Kassie reveal the enduring impact of these institutions on Indigenous communities, highlighting their resilience and ongoing quest for justice.
The narrative intertwines personal stories with a broader historical context, showcasing the strength and unity of a community confronting its painful past. ‘Sugarcane’ not only exposes the atrocities committed but also celebrates the enduring spirit of Indigenous peoples as they heal and reclaim their cultural identity. This poignant film serves as a testament to their perseverance and the ongoing fight for recognition and reconciliation.

The absorbingly cinematic Ascension explores the pursuit of the 'Chinese Dream.' This observational documentary presents a contemporary vision of China that prioritizes productivity and innovation above all. Behind all, the ideology used in China to acquire acquiescence from the lower class workers in the factories, restaurants, resorts, etc who are sold a dream of one day being able to join the elite classes if they work hard enough.
Almost mesmerizing with its cinematography, akin to the dreams of consumerism and the narratives of wealth that are being sold to the underclass workers, the film nicely illustrates the Chinese economy of the present.

In the center of the story is the life of the indigenous people of the village Bakhtia at the river Yenisei in the Siberian Taiga. The camera follows the protagonists in the village over a period of a year. The natives, whose daily routines have barely changed over the last centuries, keep living their lives according to their own cultural traditions. Werner Herzog and Russian co-director Dmitry Vasyukov takes viewers on yet another unforgettable journey into remote and extreme natural landscapes. The acclaimed filmmaker presents this visually stunning documentary about indigenous people living in the heart of the Siberian Taiga. Deep in the wilderness, far away from civilization, 300 people inhabit the small village of Bakhtia at the river Yenisei. There are only two ways to reach this outpost: by helicopter or boat. There's no telephone, running water or medical aid. Follow the Siberian trappers through all four seasons of the year to tell the story of a culture virtually untouched by modernity.

Without words, Ron Fricke shows us the world, with an emphasis not on 'where,' but on 'what's there.' It begins with morning, natural landscapes and people at prayer: volcanoes, water falls, veldts, and forests; several hundred Balinese Hindu men perform kecak, the monkey chant. Indigenous peoples apply body paint; whole villages dance. The film moves to destruction of nature via logging, blasting, and strip mining. Images of poverty, rapid urban life, and factories give way to war, concentration camps, and mass graves. Ancient ruins come into view, and then a sacred river where pilgrims bathe and funeral pyres burn. Prayer and nature return. A monk rings a huge bell; stars wheel across the sky. (Click CC for places description)

Imagine being in jail. Now imagine living in a foreign country. Scary? Raphael Rowe served 12 years in prison for a crime he was eventually acquitted. He takes you inside these jails. Rowe shows what living conditions are for the inmates, as well as the guards. You'll never look at prison the same.
In the first episode, Raphael Rowe spends a week behind bars at Tacumbu prison in Paraguay, where inmates scrounge in the trash in order to pay their own way.

On July 25th, 2020, people all over the world filmed their lives and shared their stories to be part of a documentary film. When all the submissions were tallied, the filmmakers had received over 300,000 videos from 192 countries. The result is a stirring film about love, death, heartbreak, and hope that looks beyond geography and circumstance to explore what connects us as humans.