Music

Ltes follow the development of some the biggest names in Rock in the 70s and 80s, among them Queen, Bruce Springsteen & The E Street Band, The Police and Dire Straits and shows how, through events such as Live Aid and the rise of MTV, rock achieved a global influence on culture and politics. The film concludes in the early 90s, as U2 effectively brought the era to a close by reinventing the big rock show.

Well-known fans celebrate Stevie Wonder and his music by selecting some of his best-loved songs. Contributors include actor Martin Freeman, singers Alexander O'Neal, James Morrison, Beverley Knight and Corinne Bailey Rae, Gillian Gilbert and Stephen Morris, DJs Ana Matronic, Trevor Nelson and Norman Jay, journalist Sian Pattenden and presenter Emma Dabiri.
Stevie Wonder is one of the dominant figures in American music, a multi-faceted genius whose music has permeated popular culture, and he is not short of celebrity fans. His musical achievements are lauded in this anthology of his greatest hits.

Over the course of three nights at Hollywood's Pantages Theater in December 1983, filmmaker Jonathan Demme joined creative forces with Jordan Cronenweth and Talking Heads... and miracles occurred. Following a staging concept by singer-guitarist David Byrne, this euphoric concert film transcends that all-too-limited genre to become the greatest film of its kind. A guaranteed cure for anyone's blues, it's a celebration of music that never grows old, fueled by the polyrhythmic pop-funk precision that was a Talking Heads trademark, and lit from within by the geeky supernova that is David Byrne.
This circus of musical pleasure defies the futility of reductive description; it begs to be experienced, felt in the heart, head, and bones, and held there the way we hold on to cherished memories. On those three nights in December 1983, Talking Heads gave love, life, and joy in generous amounts that years cannot erode, and Demme captured this act of creative goodwill on film with minimalist artistic perfection. Stop Making Sense is an invitation to pleasure that will never wear out its welcome.

Supertramp's 'Breakfast in America' was the biggest selling album in the world in 1979. Following the album's release Supertramp embarked on a 10 month world tour which arrived in Paris at the end of November. Now, transferred and restored from the original 16mm film, this footage is available to Supertramp's legion of fans worldwide.
In July 2006, the original master tapes of the album 'Supertramp: Live In Paris' were rediscovered in the Northern California barn of the band's drummer Bob Siebenberg, along with video footage. The tapes were sent to Cups 'N Strings Studios in Woodland Hills, California, for digital remastering. The tapes were initially in bad technical shape, but were successfully transferred to a digital format.
The original idea was to feature heavily footage of Paris, adding a story in The Song Remains the Same. The sound was remixed by Peter Henderson and Supertramp's original sound engineer Russel Pope from the original multi-tracks.

‘The Taylor Swift The Eras Tour’ transcends a mere concert film, emerging as a cultural phenomenon on the big screen. It offers a once-in-a-lifetime, immersive experience, showcasing the history-making tour of Taylor Swift, one of the most iconic artists of our era. The film spans her entire career, from early country roots to the latest pop anthems, capturing the evolution of her music and the unique themes of each era with stunning cinematic quality. The visuals and sound design are crafted to create a breathtaking and intimate concert experience, highlighting the energy of Swift and her connection with the audience.
This film is not only a celebration of Swift's musical journey but also a testament to her lasting impact on pop culture. It's a masterful blend of concert energy, personal storytelling, and cinematic splendor, making it an essential experience for anyone interested in witnessing the evolution of a music icon and the creation of a cultural milestone.

Dylan Jones is in the driving seat for this authoritative four-part look back. No stone remains unturned, as he revisits the New Romantics, rap, modern dance music, hip-hop, indie jingle, synth-pop, house music and club culture. He makes the case that the 1980s was the most radical, innovative and creative decade in the history of pop because, unlike other decades, unleashed a myriad of new musical genres in just 10 years.
In the first part, Dylan Jones explores how in this decade the world-conquering genres of rap, hip-hop and modern dance music were launched, while guitar-driven indie flourished in a constellation of scenes spread out across the world. And a technological revolution was changing how music was made, filling the charts with a starburst of innovative records. Meanwhile, the launch of MTV turned pop into a visual medium, allowing artists as varied as U2 and Eurythmics to take charge of how they presented themselves. Featuring interviews with Nile Rodgers, Bananarama, Primal Scream's Bobby Gillespie, Mark Ronson, Trevor Horn and Soul II Soul's Jazzie B.