Documentary AreaSimply the best Documentaries

In the seventh and final episode, viewers are taken on a journey across Asia's diverse landscapes, from the vast Gobi Desert to the lush jungles of Borneo. The episode highlights the unique wildlife inhabiting these regions, such as the elusive snow leopard in Central Asia and the endangered Irrawaddy dolphin in the Mekong River. Through stunning visuals and compelling narratives, the documentary showcases the pressing conservation efforts aimed at protecting these species and their habitats.

A humpback whale mother and calf embark on an epic journey from tropical coral paradises to storm ravaged polar seas. Newly discovered coral reefs in Indonesia reveal head-butting pygmy seahorses, flashing 'electric' clams and bands of sea kraits, 30-strong, which hunt in packs. Elsewhere plagues of sea urchins fell forests of giant kelp. Huge bull fur seals attack king penguins, who despite their weight disadvantage, put up a spirited defence.

The filmmakers challenge former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers.
Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands.
The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.

The film takes you on a gripping journey through one of history’s most devastating natural disasters—the 2004 Indian Ocean Boxing Day tsunami. With intimate, first-hand accounts from survivors around the globe, the documentary unveils the terrifying sequence of events on the morning of December 26th, 2004. Through raw and compelling personal narratives, viewers are transported to the chaotic moments when the colossal wave struck, forever altering lives and reshaping entire communities.
Among these unforgettable stories is that of Rob, an Englishman whose harrowing account of trying to rescue his family from a serene Sri Lankan beach brings the human cost of the disaster into stark focus. The film not only chronicles the tragic loss of approximately 230,000 lives and the displacement of 1.4 million people but also examines the enduring impact of the tsunami on a generation defined by both profound loss and incredible resilience. This riveting portrayal promises to captivate audiences with its blend of human drama and historical significance, urging viewers to reflect on the power of nature and the strength of the human spirit.

Austrian director Michael Glawogger travels to five countries to focus on some of the worst jobs imaginable: Ukrainian miners crawl into tiny cracks in old coal pits to scratch out a few bags of winter fuel; Indonesian workers trudge long distances carrying baskets with hundreds of pounds of sulfur chunks extracted from a steaming mountain; Pakistanis risk explosions and burial under tons of scrap iron as they dismantle huge carrier ships. The visuals are everything here. Despite the hardships depicted, many sequences have a dreamlike beauty. In addition, the director has a bone-dry sense of irony; during the Ukraine scenes, he frequently cuts away to a statue of Stakhanov, the "hero" lauded by the Soviets for his superhuman work habits. He also shows us an old German smelting works that's been converted into a theme park.