Documentary AreaSimply the best Documentaries

In August 2014, ISIS militants raided a Yazidi village in Syria, kidnapping thousands of men, women and children. Hundreds of the kidnapped men were killed or forced to convert to Islam; the women and children were sold as sex slaves or to marry ISIS fighters. Many were raped or became victims of other forms of sexual violence. Escaping ISIS depicts 34 of those captured by militants last year — mostly women and young children — reuniting with their families as they escape to freedom". Some victims were brought to freedom through underground networks, guides inside ISIS and resistance fighters. Women contacted the resistance fighters, begging for rescue; some said the alternative is committing suicide. Many escapees walk for several days with little food and water, often barefoot, risking getting recaptured and killed. One resistance fighter was shot in the back of the head in ISIS territory after they found out that he was working against them. The documentary shows parts of this treacherous journey to freedom.

What if death didn't have to be the final goodbye? ‘Eternal You’ is a gripping documentary that delves into the emerging industry of startups using AI to create digital avatars of the deceased. By harnessing the digital footprints left behind, these companies offer grieving individuals a chance to interact with their lost loved ones, blurring the lines between life and afterlife. The film explores this groundbreaking technology and its impact on bereaved families, delving deep into our innate desire for immortality. But at what cost does this technological resurrection come?
‘Eternal You’ raises profound questions about the ethics of commodifying grief and the psychological consequences of defying traditional notions of mortality. Does interacting with a digital echo of a loved one aid the healing process, or does it make letting go even harder? As we stand on the cusp of unprecedented technological possibilities, this documentary challenges us to consider whether we truly want—and are ready for—this new reality.

Upending the conventional wisdom of why we gain weight and how to lose it, Fed Up unearths a dirty secret of the American food industry—far more of us get sick from what we eat than anyone has previously realized. Filmmaker Stephanie Soechtig and TV journalist Katie Couric lead us through this potent exposé that uncovers why—despite media attention, the public’s fascination with appearance, and government policies to combat childhood obesity—generations of American children will now live shorter lives than their parents did.

Arrested and charged in 2019 with child sex trafficking, Jeffrey Epstein took his own life while behind bars in a federal prison of New York City in unclear circumstances. Many claim that Epstein had an international sex trafficking ring and he would take a lot of people down. Epstein signed a will two days before he committed suicide to move his money over to the Virgin Islands. It made it much more difficult for the victims to get restitution. Nor would the survivors see him in jail for life. But the judge was going to let some of the victims have their day in court.

'Flexing' is a dance style forged in far east Brooklyn, at the dead-end of a handful of subway lines. Flex dancers channel the grittiness and crime of East New York into choreographed violence with gun movements, simulated bone-breaking, and the mimicked ripping of hearts from opponent's chests. Through battles dancers gain respect, craft an artistic identity, and sometimes find a sanctuary from the poverty and violence that saturates their neighborhood. No other style of street-dance is this violent, scary, or beautifully theatrical. In this purely do-it-yourself scene, creativity and ambition bring a community together around frequent dance-battle showcases that have begun to attract an international audience and may catapult the best dancers into careers in theater or film. Following a group of dancers for over two years, Flex is Kings explores the hopes and realities of this under-acknowledged and totally unfunded group of urban artists

Irena Salina's award-winning documentary investigation into what experts label the most important political and environmental issue of the 21st Century - The World Water Crisis. Salina builds a case against the growing privatization of the world's dwindling fresh water supply with an unflinching focus on politics, pollution, human rights, and the emergence of a domineering world water cartel. Interviews with scientists and activists intelligently reveal the rapidly building crisis, at both the global and human scale, and the film introduces many of the governmental and corporate culprits behind the water grab, while begging the question "CAN ANYONE REALLY OWN WATER?" Beyond identifying the problem, FLOW also gives viewers a look at the people and institutions providing practical solutions to the water crisis and those developing new technologies, which are fast becoming blueprints for a successful global and economic turnaround.