Documentary AreaSimply the best Documentaries

The film tells the tale of Nim Chimpsky, a chimpanzee who was the subject of a landmark experiment to see if an ape could learn to communicate with language if raised and nurtured like a human child. This study was the brainchild of Dr. Herbert Terrace, a Columbia University behavioral psychologist who hoped to teach Nim enough language that he could eventually express what he was thinking and feeling. This would refute Noam Chomsky's thesis that language is inherent only in humans, hence his moniker, a direct pun on the famous linguists' name. The doc was a smash when it played at Sundance with this entirely different incredible but true story

The film chronicles the life of Quentin Tarantino, from his start at Video Archives up to the releasing of Once Upon a Time in Hollywood. The documentary features interviews from his frequent collaborators of his films. The filmmaker Richard Linklater explores Quentin Tarantino from his trendsetting work on Reservoir Dogs and examines how his films have changed the movie making landscape forever.

In 1971, four university students got together to form a band. Since then, that certain band called Queen has released 26 albums and sold over 300 million records worldwide. The popularity of Freddie Mercury, Brian May, Roger Taylor and John Deacon is stronger than ever. Their story is a remarkable one, a narrative that covers early struggles, huge obstacles, success, arguments, breakups, triumph, tragedy and an enduring legacy - all against a backdrop of brilliant music and stunning live performances from every corner of the globe. In this film, for the first time, it is the band that tells their story. Guiding us through an extensive archive full of hitherto unseen footage, the documentary reveals how four strong-minded individuals, all capable of writing massive hit songs, worked together so successfully for four decades. Queen never did anything by halves - meaning their highs were massive, but their lows catastrophic. It is a compelling story told with intelligence, wit, plenty of humour and painful honesty.

One of the world's biggest bands return to the scene of their Live Aid triumph a year earlier to play all their greatest hits in front of a packed Wembley Stadium.
Everything is done right and to perfection here. There is a majesty in the filming and editing that is missing in the other performances. Maybe it's the energy of this awesome Wembley crowd. Shot just before sunset, the transition to night time is magic and Freddie commands! He is loved by and connected to the crowd like very few performers. The sound is stellar, Brian is in great form, the harmonies are spot on, it is incredible to realize this wall of great sound is coming mostly from a live trio.

There is a majesty in the filming and editing that is missing in the other performances. Maybe it's the energy of this awesome Wembley crowd. Shot just before sunset, the transition to night time is magic and Freddie commands! He is loved by and connected to the crowd like very few performers. The sound is stellar, Brian is in great form, the harmonies are spot on, it is incredible to realize this wall of great sound is coming mostly from a live trio.

The film goes deep beneath the surface to explore the lives of man's greatest parasite. Morgan Spurlock unveils a new form of documentary horror storytelling, journeying around the world to bring viewers face to face with rats while delving into our complicated relationship with these creepy creatures. Taking us into the rats nests in ways never before captured on film, RATS dives deep into New York City's parks, subway tunnels, and sewers; venture to rice paddies in Cambodia and Vietnam where rats are caught and sold as food, cross worldly streets in India paroled by the revered Night Rat Killers, journey to English countryside where packs of terriers kill hundreds of rats per day, and look inside a New Orleans lab, where scientists are studying how flooding and abandoned neighbourhoods are making rats more invasive than ever.