Documentary AreaSimply the best Documentaries

As the world enters a phase of aggressive competition over untapped ocean floor resources, countries are scrambling to stake their claims. The vast economic potential on offer has made the seabed the ultimate frontier in a new Age of Exploration. China's research vessels in particular have been active in waters right across the globe. Through our exhaustive analysis of huge volumes of Chinese ship tracking data, from sand dredgers to survey vessels, we piece together a puzzle that reveals a new hidden power struggle over increasingly critical submarine resources.

Salvador Dali's strange crucifixion is often called the greatest religious painting of the 20th century. Yet its artist was a notorious blasphemer some of whose work had outraged the Catholic Church. The Christ of St John of the Cross by Salvador Dali is the first of two extraordinary crucifixions painted by Dali in the early 1950s. The painting is based on a 'cosmic dream' Dali is said to have had, in which the nucleus of the atom was a figure of Christ himself.
The painting offers a surrealist view of the crucifixion of Christ, and is based on a drawing by the 16th century Spanish friar Saint John of the Cross. But Dali's vision was somewhat unique, using an unusual artistic perspective in which Christ is seen from above. His Christ of St. John of The Cross was inspired by a weird mix of Spanish mysticism and nuclear physics, with his Christ being modelled by a Hollywood stuntman. It's also a masterpiece of painting technique.

Citizenfour received the Academy Award for Best Documentary Feature at the 2015 Oscars. The film was directed by Laura Poitras concerning Edward Snowden and the NSA spying scandal." In January 2013, Laura Poitras received an encrypted e-mail from a stranger who called himself Citizen Four. In it, he offered her inside information about illegal wiretapping practices of the NSA and other intelligence agencies. Poitras had already been working for several years on a film about monitoring programs in the US, the result of the September 11 attacks. In June 2013, accompanied by investigative journalist Glenn Greenwald and The Guardian intelligence reporter Ewen MacAskill, she went to Hong Kong with her camera for the first meeting with the stranger, who identified himself as Edward Snowden. Several other meetings followed. The recordings gained from the meetings form the basis of the film.

This is the story of three maps, three 'visions' of London over three centuries. The Morgan Map of 1682 was the first to show the whole of the City of London after the Great Fire of London. In 1746 John Rocque produced at the time the most detailed map ever made of London. Like Morgan's, Rocque's map is all neo-Classical beauty and clinical precision, but the London it represented had become the opposite. In engravings of the time, such as Night, the artist William Hogarth shows a city boiling with vice and corruption. Stephen Walter's contemporary image, The Island, plays with notions of cartographic order and respectability. His extraordinary London map looks at first glance to be just as precise and ordered as his hero Rocque's but, looking closer, it includes 21st century markings such as 'favourite kebab vans' and sites of 'personal heartbreak'.

Another year in the life of Diddly Squat Farm, run by Jeremy Clarkson, Britain's best-known but least-qualified amateur farmer. Season 2 of Clarkson’s Farm promises to be even better than the first as Clarkson and his rag tag group combat the public, the council, and the government.
In the first episode, Clarkson attempts to diversify his farm's revenue sources (having made only £144 in the previous year) in an effort to increase his profits. He decides that his primary way of doing this will be a new herd of cows and promptly purchases several of the animals. However, the timing of when they will bring in money and the necessity of building an enclosure for them causes problems for Jeremy and Charlie. Meanwhile, inspired by the success of the farm shop, Clarkson has the idea to open a restaurant in the abandoned lambing barn to sell his beef and lamb, but he must deal with the cost of converting the barn and getting approval from the local council.

With a humorous and surprisingly revealing look at modern farming, this documentary series follows Jeremy Clarkson as he trades fast cars and city life for the unpredictable challenges of running a working farm in the English countryside. What begins as an ambitious new venture soon becomes a constant battle against weather, bureaucracy, livestock, machinery, and the harsh realities faced by farmers every day. Combining stunning rural landscapes with Clarkson's trademark humor, the series offers an entertaining and eye-opening glimpse into life on the land.
In the first three episodes, Jeremy finds himself largely on his own as key members of the team are away, forcing him to take greater responsibility for the farm's daily operations. Persistent rain threatens crucial planting schedules, while new equipment, a new farmhand, and even a potential new business opportunity provide fresh challenges and unexpected lessons. As he searches for a local pub to expand his ambitions, Jeremy also faces competition, difficult decisions, and the constant pressure of keeping the farm running in an environment where success often depends on factors completely beyond his control.