There had been other pirate settlements in different places but none of them had worked quite the same way that Nassau did. There was a fort there. People stayed, they built a community on the land. Larger and larger numbers of pirate-minded people were showing up there and starting to develop an economy around themselves. Men like Edward Thatch, later known as Blackbeard, his sidekick, Black Caesar, a former slave, and the pied pirate that led them all there, Captain Benjamin Hornigold. In the second episode, tensions rise between Benjamin Hornigold and Henry Jennings; their rivalry takes a new direction when Hornigold declares Nassau a pirate republic.
A new era of space is dawning where small satellites no bigger than a shoebox will be deployed not in one or twos, but in their thousands - referred to as satellite swarms. It's been described as the democratization of space. What was once the preserve of governments and superpowers is evolving into a truly global industry. The catalyst for this dramatic change is this new generation of satellites.
Caesar contemplates Pompey's counteroffer but Mark Anthony wishes the war. Vorenus continues to struggle as a businessman and must reevaluate his career choice. Atia schemes to come between Caesar and Servilia and Pullo seeks Octavian's help.
An immersive cinematic experience of nonspeaking autistic people across the world, The Reason I Jump is based on a book written by Naoki Higashida when he was just 13. The film follows a young Japanese boy on a journey through an epic landscape. As a maelstrom of thoughts, feelings, impulses, and memories affects his every action, he gradually discovers what his autism means to him, how his perception of the world differs from others’, and why he acts the way he does—the reason he jumps.
In the final arc of the season, Nathan Fielder pushes the boundaries of simulated reality to a disturbing new level. What begins as a controlled exercise in human rehearsal quickly unravels, as the participants lose sight of where the performance ends and real life begins. Nathan’s interventions grow increasingly invasive, blurring the lines between creator and subject, until the emotional weight of the experiment turns on him. With each scene, the series peels back another layer of reality, revealing unsettling truths about identity, manipulation, and control. By the final episode, the line between authenticity and artifice collapses—leaving viewers questioning everything they’ve witnessed.
Dr George McGavin and Dr Zoe Laughlin set up base camp at one of the UK's biggest sewage works to investigate the revolutionary science finding vital renewable resources and undiscovered life in human waste. Teaming up with world-class scientists, they search for biological entities in sewage with potentially lifesaving medical properties, find out how pee can generate electricity, how gas from poo can fuel a car and how nutrients in waste can help solve the soil crisis. They follow each stage of the sewage treatment process, revealing what the stuff we flush can tell us about how we live today, and the mind boggling biotechnology being harnessed to clean it, making the wastewater safe enough to return to the environment.
In the second episode, tensions rise between Benjamin Hornigold and Henry Jennings; their rivalry takes a new direction when Hornigold declares Nassau a pirate republic.