Albert Einstein, the most famous scientist of all time, was a world-renowned celebrity, greeted like a rock star when he appeared in public. An anti-war firebrand, Einstein also spoke out on issues ranging from women's rights and racism to immigration and nuclear arms control. But today, his image has been neutered into that of a charmingly absent-minded genius. He was, in fact, a powerful force for social change and a model for political activism. Using a wealth of rarely-seen archival footage, correspondence, and new and illuminating interviews, filmmaker Julia Newman makes the case that Albert Einstein's example of social and political activism is as important today as are his brilliant, groundbreaking theories.
In early 2003, a team of Italian thieves orchestrated one of the boldest robberies in modern history: The disappearance of hundreds of millions in diamonds from the heavily guarded vaults of Antwerp. Through unprecedented access to archival footage, police records, and newly recorded interviews, the film reconstructs the intricate planning that allowed the so-called School of Turin to bypass what was believed to be impenetrable security. Told with a balance of suspense and reflection, it confronts investigators with the alleged mastermind, weaving a story of ambition, betrayal, and the mystery of gems never recovered. Beyond the spectacular details of the heist, it examines the toll on jewelers, insurers, and investigators, while questioning how ingenuity, greed, and betrayal blur the lines between admiration and crime.
Stonehenge was shaped over centuries, but to what purpose? Was it a temple to the sun, or the moon, an astronomical calendar, or a shrine to dead ancestors? Now Stonehenge may be about to give up some of its secrets. For the first time in nearly half a century a new archaeological dig the sacred stone circle. And the men who are leading the excavation are well aware of the significance of this moment. The film exposes an investigation into a radical theory that Stonehenge, far from being a place of burial as is commonly assumed, was in fact a place of healing. The investigation takes in forensic testing of bones excavated over the past decades and hard-won permission for the first dig in 50 years at the Henge, watched live online by millions of viewers around the world. Does the theory of the healing stones bear up to modern-day forensic science?
Over the course of three nights at Hollywood's Pantages Theater in December 1983, filmmaker Jonathan Demme joined creative forces with Jordan Cronenweth and Talking Heads... and miracles occurred. Following a staging concept by singer-guitarist David Byrne, this euphoric concert film transcends that all-too-limited genre to become the greatest film of its kind. A guaranteed cure for anyone's blues, it's a celebration of music that never grows old, fueled by the polyrhythmic pop-funk precision that was a Talking Heads trademark, and lit from within by the geeky supernova that is David Byrne. This circus of musical pleasure defies the futility of reductive description; it begs to be experienced, felt in the heart, head, and bones, and held there the way we hold on to cherished memories. On those three nights in December 1983, Talking Heads gave love, life, and joy in generous amounts that years cannot erode, and Demme captured this act of creative goodwill on film with minimalist artistic perfection. Stop Making Sense is an invitation to pleasure that will never wear out its welcome.
Polley is both filmmaker and detective as she investigates the secrets kept by a family of storytellers. She playfully interviews and interrogates a cast of characters of varying reliability, eliciting refreshingly candid, yet mostly contradictory, answers to the same questions. As each relates their version of the family mythology, present-day recollections shift into nostalgia-tinged glimpses of their mother, who departed too soon, leaving a trail of unanswered questions. Polley unravels the paradoxes to reveal the essence of family: always complicated, warmly messy and fiercely loving. Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families.
Witness the secret powers of extraordinary animals, experience the world as they do and see the SUPER/NATURAL side of nature as never before. Executive produced by James Cameron and narrated by Benedict Cumberbatch, this series uses the scientific innovations and leading-edge filmmaking technology to reveal the secret powers and super-senses of the world’s extraordinary animals. See flowers in bee-vision to eavesdropping on conversations between elephant seals to soaring the length of a football field with glow-in-the-dark squirrels. They say in nature that only the strongest survive. But when cooperation and communication bring animals and plants together and superpowers combine even the most vulnerable can become unstoppable. If you think you know nature, think again.
Using a wealth of rarely-seen archival footage, correspondence, and new and illuminating interviews, filmmaker Julia Newman makes the case that Albert Einstein's example of social and political activism is as important today as are his brilliant, groundbreaking theories.