Documentary AreaSimply the best Documentaries

For generations, Monopoly has been America's favorite board game, a love letter to unbridled capitalism and — for better or worse — the impulses that make our free-market society tick. But behind the myth of the game's creation is an untold tale of theft, obsession and corporate double-dealing. Contrary to the folksy legend spread by Parker Brothers, Monopoly's secret history is a surprising saga that features a radical feminist, a community of Quakers in Atlantic City, America's greatest game company, and an unemployed Depression-era engineer. And the real story behind the creation of the game might never have come to light if it weren't for the determination of an economics professor and impassioned anti-monopolist.

Ripped from international headlines, The Hacker Wars takes you to the front lines of the high-stakes battle over the fate of the Internet, freedom and privacy". Get ready to be shuttled between story lines at lightning speed mirroring the disjointed lives of the protagonists and life on the Internet. The Hacker Wars- a film about the targeting of (h)ac(k)tivists and journalists by the US government. Hacktivists are either terrorists or freedom fighters depending on ones perspective on who should control information. Meet weev, infamous hacker; Barrett Brown, journalist and propagandist for the hacktivist collective, Anonymous; and Jeremy Hammond, aka Anarchaos, number one on the FBI's cyber-criminal list. The fourth character is Sabu, the uber-hacker turned FBI informant who ran the FBI's cyber unit for 9 months and is responsible for many arrests. He is the shadowy protagonist in a high-stakes game of espionage and betrayal in the age of the Internet. Barrett Brown, American journalist, is facing 105 years in prison for publicizing information revealed through Jeremy Hammond's epic hacks. Hammond himself has just begun a 10-year prison term. Andrew Auernheimer, known by his hacker handle weev embarrasses large corporations. He was sentenced to 41 months for hacking AT&T, but his conviction was just overturned. He vows to continue doing what landed him in prison in the first place. These hacktivists are the rock stars of the Internetmodern-day folk heroes. Glenn Greenwald (Snowdon Leaks), Pulitzer Prize-winning journalist and others explain why these anti-heroes exposing the security surveillance state are essential to a functioning democracy.

Dylan Jones is in the driving seat for this authoritative four-part look back. No stone remains unturned, as he revisits the New Romantics, rap, modern dance music, hip-hop, indie jingle, synth-pop, house music and club culture. He makes the case that the 1980s was the most radical, innovative and creative decade in the history of pop because, unlike other decades, unleashed a myriad of new musical genres in just 10 years.
In the first part, Dylan Jones explores how in this decade the world-conquering genres of rap, hip-hop and modern dance music were launched, while guitar-driven indie flourished in a constellation of scenes spread out across the world. And a technological revolution was changing how music was made, filling the charts with a starburst of innovative records. Meanwhile, the launch of MTV turned pop into a visual medium, allowing artists as varied as U2 and Eurythmics to take charge of how they presented themselves. Featuring interviews with Nile Rodgers, Bananarama, Primal Scream's Bobby Gillespie, Mark Ronson, Trevor Horn and Soul II Soul's Jazzie B.

The film is the long-awaited reunion concert of the renowned folk pop music duo, more than a decade after their separation as musical performers. It was recorded on the 19th September 1981 at a free benefit concert on the Great Lawn in Central Park, New York City, where the pair performed in front of an audience reported at the time as 500,000 people. The film includes two songs that had not appeared on the album.
Rolling Stone called the concert 'one of the finest performances, one that vividly recaptured another time, an era when well-crafted, melodic pop bore meanings that stretched beyond the musical sphere and into the realms of culture and politics.'

The 1980s was a time when artists in both the UK and US were delivering powerful social commentary in their songs. Dylan Jones selects some of the finest alternative voices from this era. From The Cure on Top of the Pops at the beginning of the decade to The Stone Roses' debut TV performance in 1989, this episode takes a comprehensive look at the alternative music of an entire era. It also features powerful live performances from Billy Bragg, Tracy Chapman, Bronski Beat and The Selecter. In addition, there are archival gems from Pixies, The Smiths, Suzanne Vega, The Fall, REM and many more.

With the Doomsday Clock the closest it's ever been to midnight, Jane Corbin investigates the proliferation of nuclear weapons across the globe. She visits Los Alamos, home to the United States’ nuclear weapons development facility and the historic home of Oppenheimer’s Manhattan Project.
In Scotland, she reveals the strategy behind Britain’s nuclear deterrent, and speaks to campaigners in Suffolk fighting against US weapons they fear will be based on UK soil. Jane also discovers how many of the global agreements and safeguards that have constrained the spread of nuclear weapons since the 1970s are breaking down.
This is a story told by the scientists, investigators and diplomats who set the clock and have fought to ensure that the ultimate deterrent has not been used in over 70 years.