The filmmakers challenge former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers. Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands. The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.
Medusa was the most infamous female fiend in Greek mythology, whose look turned every living thing to stone. But what is the true story behind the snake-haired gorgon? Find out about this evil Gorgon's real world connection to human corpses and learn what clues the night sky holds concerning the origins of the tale of Medusa.
A majestic presence, towering over Paris for more than 130 years, the Eiffel Tower is an iconic symbol of 19th-century progress and grandeur. When it was built for the 1889 Paris world’s fair, its creator, Gustave Eiffel, was at the height of his fame and ready to take on the dream of every engineer and architect - to build the world’s tallest man-made structure. He had just two years, two months and five days to erect his 300-metre iron colossus. Drawing on three decades of civil engineering innovation and works across the globe, Eiffel, a magician of iron building, was perfectly poised for this extraordinary feat.
It's June 1942 and the world's fate is about to be decided by a handful of pilots and their untested aircraft. Experience an inside look at the Battle of Midway, captured through rarely seen battle footage and first-hand accounts from its hero dive-bombing pilot, "Dusty" Kleiss. This is an hour-by-hour recount of one of the most pivotal conflicts of the 20th century. Take a closer look at how this desperately needed victory came about through the design of U.S. air planes, the skill of the pilots, the element of surprise, and a stroke of luck.
In this revealing documentary, Giancarlo Granda, former pool attendant at the Fontainebleau Hotel, shares the intimate details of his 7-year relationship with a charming older woman, Becki Falwell, and her husband, the Evangelical Trump stalwart Jerry Falwell Jr. Directed by Billy Corben, the film outlines Granda's entanglement with the Falwell's seemingly perfect lives and the overarching influence this affair had on a presidential election. The life of Jerry Falwell — the late Moral Majority televangelist who for decades helped catalyze the rightward shift of American evangelicals before his death in 2007 — is a quintessentially American story. But it’s in the next generation that the Falwell narrative becomes at once soap opera and morality tale. The film covers the graceless fall of Jerry Falwell Jr., who after the death of his father was placed in the presidency of the family’s conservative organ Liberty University. There, he seemed to remain painfully in thrall to his appetites. We hear testimony about his alleged tendency to drink on the job and discomfiting, slurry interviews between him and sympathetic media — but most crucially, we receive the testimony of Giancarlo Granda. Granda was a pool attendant at a Miami hotel when he met Falwell and his wife, Becki, in 2012. Today, he alleges that he was persuaded to have sex with Becki while Falwell watched, and that the pair engaged in an ongoing campaign of communication with him that could be described as coercive. His energies were consumed with managing their tempers and occasionally threatening behavior, and he blames the swirl of scandal around them for derailing his professional future. Plainspoken and only occasionally visibly emotional, Granda is his own best advocate as he describes a couple who, he says, craved his body and were willing to discard the rest of him.
Back one million years ago, South America was a continent of exotic oversized creatures found nowhere else on Earth - huge terror birds, giant ground sloths and spiky-tailed relatives of the armadillo as big as cars. The deadliest animal of them all was smilodon, the largest of the sabre-tooth cats, with canines like carving knives. The programme follows the fortunes of an individual male, Half Tooth. Ousted from his clan by a pair of rival males, his life suddenly becomes a struggle to survive in this alien world.
Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands.
The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.