A young mother's mysterious death and her son's subsequent kidnapping blow open a decades-long mystery about the woman's true identity and the murderous federal fugitive at the center of it all. It's late at night in Oklahoma City, in April of 1990. Two or three guys are in a truck driving along the road and they see some kind of debris. And then they see off to the side, there's a body. It appears to be a young woman, a blonde-haired woman and they call an ambulance. She's rushed to the hospital, and her husband, Clarence, eventually shows up. He says her name is Tonya Hughes, that she's a stripper in Tulsa, and that they have a young son named Michael. And he's much older and he's just kind of this weird guy. So, the doctors, as they continue to examine her, they see old bruises and old injuries. There's something wrong with this picture. Ultimately, she passes away. The girls Tonya danced with want to find her family. So they call this woman and they tell her that her daughter died. And she says, 'What are you talking about? My daughter died 20 years ago, she was only 18 months old.' They realize that who they just buried was not Tonya Hughes, so now they're asking, 'What happened?'.
Memory is the glue that binds our mental lives. Without it, we’d be prisoners of the present, unable to use the lessons of the past to change our future. From our first kiss to where we put our keys, memory represents who we are and how we learn and navigate the world. But how does it work? Neuroscientists using cutting-edge techniques are exploring the precise molecular mechanisms of memory". By studying a range of individuals ranging —from an 11-year-old whiz-kid who remembers every detail of his life to a woman who had memories implanted— scientists have uncovered a provocative idea. For much of human history, memory has been seen as a tape recorder that faithfully registers information and replays intact. But now, researchers are discovering that memory is far more malleable, always being written and rewritten, not just by us but by others. We are discovering the precise mechanisms that can explain and even control our memories. The question is— are we ready?
Follows actor, model, and icon Brooke Shields as she becomes a woman who discovers her power after being a sexualized young girl. She shows the dangers and triumphs of gaining agency in a hostile world. In the first episode, from young girl to Princeton graduate, we explore Brooke’s extraordinary childhood and her complex relationship with mother/manager Teri.
The film depicts the life and work of opera singer Maria Callas in her own words by using performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs nearly all of which have never been shown to the public. Maria by Callas reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time. Her letters and unpublished memoirs are read by opera singer Joyce DiDonato. (Click CC for subtitles)
In this revealing documentary, Giancarlo Granda, former pool attendant at the Fontainebleau Hotel, shares the intimate details of his 7-year relationship with a charming older woman, Becki Falwell, and her husband, the Evangelical Trump stalwart Jerry Falwell Jr. Directed by Billy Corben, the film outlines Granda's entanglement with the Falwell's seemingly perfect lives and the overarching influence this affair had on a presidential election. The life of Jerry Falwell — the late Moral Majority televangelist who for decades helped catalyze the rightward shift of American evangelicals before his death in 2007 — is a quintessentially American story. But it’s in the next generation that the Falwell narrative becomes at once soap opera and morality tale. The film covers the graceless fall of Jerry Falwell Jr., who after the death of his father was placed in the presidency of the family’s conservative organ Liberty University. There, he seemed to remain painfully in thrall to his appetites. We hear testimony about his alleged tendency to drink on the job and discomfiting, slurry interviews between him and sympathetic media — but most crucially, we receive the testimony of Giancarlo Granda. Granda was a pool attendant at a Miami hotel when he met Falwell and his wife, Becki, in 2012. Today, he alleges that he was persuaded to have sex with Becki while Falwell watched, and that the pair engaged in an ongoing campaign of communication with him that could be described as coercive. His energies were consumed with managing their tempers and occasionally threatening behavior, and he blames the swirl of scandal around them for derailing his professional future. Plainspoken and only occasionally visibly emotional, Granda is his own best advocate as he describes a couple who, he says, craved his body and were willing to discard the rest of him.
Artists, academics, and critics discuss the historical origins, original reception, and slow climb to critical acclaim for Eugene Delacroix's painting commemorating the Revolution of 1830, 'Liberty Leading the People.' A woman of the people with a phrygian cap personifying the concept of Liberty leads the people forward over a barricade and the bodies of the fallen, holding the flag of the French Revolution – the tricolour, which again became France's national flag after these events – in one hand and brandishing a bayonetted musket with the other. The figure of Liberty is also viewed as a symbol of France and the French Republic known as Marianne.
It's late at night in Oklahoma City, in April of 1990. Two or three guys are in a truck driving along the road and they see some kind of debris. And then they see off to the side, there's a body. It appears to be a young woman, a blonde-haired woman and they call an ambulance. She's rushed to the hospital, and her husband, Clarence, eventually shows up. He says her name is Tonya Hughes, that she's a stripper in Tulsa, and that they have a young son named Michael. And he's much older and he's just kind of this weird guy. So, the doctors, as they continue to examine her, they see old bruises and old injuries. There's something wrong with this picture. Ultimately, she passes away. The girls Tonya danced with want to find her family. So they call this woman and they tell her that her daughter died. And she says, 'What are you talking about? My daughter died 20 years ago, she was only 18 months old.' They realize that who they just buried was not Tonya Hughes, so now they're asking, 'What happened?'.