This archival-driven documentary delves into the early transformation of a young singer from Michigan into a global pop phenomenon between 1978 and 1992. Through rarely heard audio tapes and unseen footage, it reveals her vulnerabilities—her mother's untimely death, the losses of close friends, and the fierce ambition that fueled her rise. These emotional undercurrents are woven into a broader narrative of cultural rebellion: Embracing MTV, challenging conservative norms, and amplifying gay aesthetics—all leading to the provocative release of the Sex book and the emergence of an outspoken HIV/AIDS activist. Immersive and intimate, the film portrays a determined artist who became more than a pop star—she emerged as a cultural catalyst. Highlighting her reinventions, bold provocations, and personal losses, it reframes her ascent as not just fame, but identity forged.
Time travel is not forbidden by the laws of nature, but to build a time machine, we would need to understand more about those laws and how to subvert them than we do now. And every day, science does learn more. In this film Horizon meets the scientists working on the cutting edge of discovery - men and women who may discover how to build wormholes, manipulate entangled photons or build fully functioning time crystals. In short, these scientists may enable an engineer of the future to do what we have so far been only able to imagine - to build a machine that allows us travel back and forward in time at the touch of a button. It could be you! Science fiction? Watch this film.
In the third episode we will see Europe by the 17th century taking over from the Middle East as the powerhouse of mathematical ideas. Great strides had been made in understanding the geometry of objects fixed in time and space. The race was on to discover the mathematics to describe objects in motion. This programme explores the work of Rene Descartes, Pierre Fermat, Isaac Newton, Leonard Euler and Carl Friedrich Gauss. Du Sautoy proceeds to describes René Descartes realisation that it was possible to describe curved lines as equations and thus link algebra and geometry. He talks with Henk J. M. Bos about Descartes. He shows how one of Pierre de Fermat’s theorems is now the basis for the codes that protect credit card transactions on the internet. He describes Isaac Newton’s development of math and physics crucial to understanding the behaviour of moving objects in engineering. He covers the Leibniz and Newton calculus controversy and the Bernoulli family. He further covers Leonhard Euler, the father of topology, and Gauss' invention of a new way of handling equations, modular arithmetic. The further contribution of Gauss to our understanding of how prime numbers are distributed is covered thus providing the platform for Bernhard Riemann's theories on prime numbers. In addition Riemann worked on the properties of objects, which he saw as manifolds that could exist in multi-dimensional space.
In the final three episodes, the stakes couldn’t be higher. A builder’s life takes a sudden turn after a catastrophic fall through a glass window leaves his hand’s main joint brutally severed. The family of a young assault victim fights to come to terms with the deep personality changes caused by a traumatic brain injury. Meanwhile, a team of orthopedic surgeons faces one of the most delicate pelvis operations imaginable, where a single wrong move could mean irreversible nerve damage. Raw emotion, split-second decisions, and life-altering consequences unfold before your eyes.
In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents' homeland, Hong Kong. Over the next two years, he'd complete four iconic films that would define his legacy, a legacy cut short when he died, stunningly, in the summer of 1973. He was 32 years old. Directed by Bao Nguyen, 'Be Water' is a gripping, fascinating, intimate look at not just those final, defining years of Lee's life, but the complex, often difficult, and seismic journey that led to Lee's ultimate emergence as a singular icon in the histories of film, martial arts, and even the connection between the eastern and western worlds. The film chronicles Lee's earliest days, as the son of a Chinese opera star born while his father was on tour in San Francisco, and then raised in Hong Kong over what became an at times troubled childhood. Sent to live in America at the age of 18, he began teaching Kung Fu in Seattle, and established a following that included his future wife, Linda. His ambition ever rising, Lee eventually made his way to Los Angeles, where he strove to break into American film and television. There, despite some success as a fight choreographer and actor, it was clear Hollywood wasn't ready for an Asian leading man - and so he returned to Hong Kong to make the films that would in fact make him a legend, his international star skyrocketing just as his life was cut short. 'Be Water' is told by the family, friends, and collaborators who knew Bruce Lee best, with an extraordinary trove of archive film providing an evocative, immersive visual tapestry that captures Lee's charisma, his passion, his philosophy, and the eternal beauty and wonder of his art.
There is a tendency to deny German culture the equal reverence of Italy or Spain, and this enlightening new series provides a wonderful opportunity to explore a great, yet often neglected, artistic tradition whose influence has been just as profound. Andrew Graham-Dixon concludes his exploration of German art by investigating the dark and difficult times of the 20th century. Dominating the landscape is the figure of Adolf Hitler, failed artist, would-be architect and obsessed with the aesthetics of his 1,000-year Reich". In a series of extraordinary building projects and exhibitions, Hitler waged a propaganda war against every form of modern art as a prelude to unleashing total war on the whole of Europe. After the war the shadow of the Third Reich persisted, Germany remained divided and traumatised. How would artists deal with a past that everybody wanted to forget? Journeying through the work of Otto Dix and George Grosz and the age of the Bauhaus to the post-war painters Georg Baselitz, Hilla Becher and the conceptual artist Joseph Beuys is a long and strange journey, but the signs that art has a place at the heart of the new reunited Germany are clearly visible.
Immersive and intimate, the film portrays a determined artist who became more than a pop star—she emerged as a cultural catalyst. Highlighting her reinventions, bold provocations, and personal losses, it reframes her ascent as not just fame, but identity forged.