In the fall of 2016, an army of over 100,000 Iraqi soldiers and militiamen mobilize to liberate Mosul, Iraq's second largest city, from the clutches of the Islamic State. Ali Mula, an Iraqi journalist, joins this army of uneasy allies--including Sunnis, Shiites, Christians and Kurds--to find out if they can put aside their sectarian differences and finally free their country from the scourge of ISIS. Along the way to Mosul, Ali encounters an unforgettable group of characters including a Sunni tribal leader who calls himself 'the Crocodile', a female militia leader avenging the death of her husband, a canny, Iranian-backed militia leader, a lawyer-turned-warrior, an elite band of ISIS killers, and refugees who survived the brutality of ISIS occupation. As he nears the end of his journey, Ali meets face-to-face with a die-hard ISIS prisoner who reveals the truth behind his nefarious organization.
The film takes us inside the complex culture and history of Anonymous. The film explores early hacktivist groups like Cult of the Dead Cow and Electronic Disturbance Theater, and then moves to Anonymous’ own raucous and unruly beginnings on the website 4Chan. Through interviews with current members – some recently returned from prison, others still awaiting trial – as well as writers, academics and major players in various “raids,” WE ARE LEGION traces the collective’s breathtaking evolution from merry pranksters to a full-blown, global movement, one armed with new weapons of civil disobedience for an online world.
Caravaggio's approach to painting was unconventional. He avoided the standard method of making copies of old sculptures and instead took the more direct approach of painting directly onto canvas without drawing first. He also used people from the street as his models. His dramatic painting was enhanced with intense and theatrical lighting.
Caravaggio's fate was sealed when he killed a man in a duel in 1606. He fled to Naples where he attempted to paint his way out of trouble, he became a Knight, but was then imprisoned in Malta and then finally moved to Sicily. He was pardoned for murder in 1610, but died of a fever when attempting to return to Rome. For me the power of Caravaggio's art is the power of truth, not least the truth about ourselves. If we are ever to hope for redemption we have to start from the recognition that the Goliath competes with the David in all of us."
Psychopaths have long captured the public imagination. Painted as charismatic, violent predators lacking in all empathy, they provide intrigue and horror in equal measure. But what precisely is a psychopath? What is it that drives them to cause harm, even kill? And can they ever be cured? The film also features a series of candid interviews with prison inmates who not only describe their crimes but why they think they committed them. 'What Makes a Psychopath?' explores not only how each individual's crimes were shaped by their own life experiences, but also gives an insight into how these people think and behave. Working with the world's experts in the field, the film sheds light on the biological, psychological and environmental influences that shape a psychopath. And it looks to the future, with ground-breaking research that suggests a lifetime of incarceration is not the only option to manage violent and dangerous psychopaths.
Survivors, observers, and expert government officials recount the 1971 uprising at the Attica Correctional Facility. The violent five-day standoff between mostly Black and Latino inmates and law enforcement gripped America then, and highlights the urgent, ongoing need for reform 50 years later.
The films begins at the Maine Correctional Center where Jacinta, 26, and her mother Rosemary, 46, are incarcerated together, both recovering from drug addiction. As a child, Jacinta became entangled in her mother's world of drugs and crime and has followed her in and out of the system since she was a teenager. This time, as Jacinta is released from prison, she hopes to maintain her sobriety and reconnect with her own daughter, Caylynn, 10. Despite her desire to rebuild her life for her daughter, Jacinta continually struggles against the forces that first led to her addiction. With unparalleled access and a gripping vérité approach, director Jessica Earnshaw paints a deeply intimate portrait of mothers and daughters and the effects of trauma over generations.
Along the way to Mosul, Ali encounters an unforgettable group of characters including a Sunni tribal leader who calls himself 'the Crocodile', a female militia leader avenging the death of her husband, a canny, Iranian-backed militia leader, a lawyer-turned-warrior, an elite band of ISIS killers, and refugees who survived the brutality of ISIS occupation. As he nears the end of his journey, Ali meets face-to-face with a die-hard ISIS prisoner who reveals the truth behind his nefarious organization.