Rasputin is gone, but Nicholas II continues his catastrophic policies in war and at home. When Nicholas goes back to military headquarters, he is in fact leaving control of government, exactly when Russia needed to be held together by its Czar. The war by this time is deeply unpopular. It's not only unpopular, it's also arguably the engine that's causing enormous economic crisis, that's causing general unrest. Deprivation pushes the population from unrest to revolution.

Sal takes uncharacteristically desperate measures in the face of new federal charges, an unearthed paper trail and increasing pressure on a confidant.

Principles of generosity and prosperity inform the selection of the last two crew members: Christopher Sembroski, a former member of the U.S. Air Force who served in Iraq and now works as a Lockheed Martin engineer, and Sian Proctor, a professor of geosciences and two-time NASA astronaut candidate. Excitement for the flight ramps up, but anxiety lingers.

Michelle McNamara and her editors agree to push her book deadline after being granted access to the Orange County Sheriff's Department's East Area Rapist / Original Night Stalker room. After everybody realized the killer moved south, that story exploded. The hope was that by having greater public attention, the right person gave the right tip.

In 1979, law enforcement is thrilled when the East Area Rapist attacks abruptly stop in Northern California. But in reality, the East Area Rapist had only moved 400 miles south, to commit a number of gruesome murders in the Santa Barbara area, where he would become known as the Original Night Stalker. Michelle McNamara ultimately came up with the name 'Golden State Killer' cause he terrorized up and down the state.
Michelle starts to write a true crime book that would transcend the genre because the way she humanized all of the victims.

The digital possibilities of social control in China have led to an unprecedented level of state surveillance. Through self-censorship or spying on neighbors, surveillance covers not only those perceived as a threat by the government, but increasingly and ever more totally the ordinary citizen: whether buying flowers, taking your child to school, or taking out the trash at night. Big Data and digital technologies are already being used as weapons to curtail freedoms. Step by step, the social and political behavior of the Chinese is changing.
The documentary explores, in intimate detail, digital social control in China by following the experiences of two families and a journalist. Film-maker Jialing Zhang gives an exclusive and previously impossible intimate insight into the interior of China and tells a deeply disturbing story of how the state uses technology to control its citizens as well as propaganda to convince its people to trust it. She tells a deeply disturbing story about technology, (self-) censorship and abuse of power.