Documentary AreaSimply the best Documentaries

Muhammad Ali was arguably the greatest boxer of the 20th century, and that rare fighter whose presence in the culture of the day was equal to (or perhaps even greater than) his remarkable skills in the ring. Ali was a superb fighter who squared off against a variety of gifted athletes during his career, and filmmaker Pete McCormack offers a new perspective on Ali through this documentary, in which some of his opponents speak about their experiences with the man. Facing Ali includes interviews with Joe Frazier, who speaks of the bitterness that still remains of his rivalry with Ali; George Chuvalo, a Canadian fighter who recalls that while Ali defeated him, he went dancing with his wife afterward while the winner went to the hospital; George Foreman, whose memories include a powerful punch that Ali chose not to land; Leon Spinks, whose 1978 upset victory over Ali thrust him into a level of fame he was not prepared to handle; Ernie Terrell, who discusses the technique and strategy behind Ali's approach; and many more.

Over the course of three nights at Hollywood's Pantages Theater in December 1983, filmmaker Jonathan Demme joined creative forces with Jordan Cronenweth and Talking Heads... and miracles occurred. Following a staging concept by singer-guitarist David Byrne, this euphoric concert film transcends that all-too-limited genre to become the greatest film of its kind. A guaranteed cure for anyone's blues, it's a celebration of music that never grows old, fueled by the polyrhythmic pop-funk precision that was a Talking Heads trademark, and lit from within by the geeky supernova that is David Byrne.
This circus of musical pleasure defies the futility of reductive description; it begs to be experienced, felt in the heart, head, and bones, and held there the way we hold on to cherished memories. On those three nights in December 1983, Talking Heads gave love, life, and joy in generous amounts that years cannot erode, and Demme captured this act of creative goodwill on film with minimalist artistic perfection. Stop Making Sense is an invitation to pleasure that will never wear out its welcome.

On August 7th, 1974, a young Frenchman named Philippe Petit stepped out on a wire illegally rigged between the New York World Trade Center’s twin towers. After dancing for nearly an hour on the wire, he was arrested, taken for psychological evaluation, and brought to jail before he was finally released. This extraordinary documentary incorporates Petit’s personal footage to show how he overcame seemingly insurmountable challenges to achieve the 'Artistic crime of the century'.

A chronological look at The Doors, focusing on lead singer, Jim Morrison (1943-1971), from the formation of the band in 1965, it's first gigs, and first album, to Morrison's death, after years of alcohol and drug use. Along the journey, we see rare exclusive footage, performances, and private moments including a Miami concert resulting in Morrison's arrest and trial for indecency. His love of the spotlight, his desire to be a poet, and his alcohol-fueled mood swings lead to a back and forth between public and private desires, successes, and failures. The band's music plays throughout.

Birds owe their global success to feathers - something no other animal has. They allow birds to do extraordinary things. For the first time, a slow-motion camera captures the unique flight of the marvellous spatuletail hummingbird as he flashes long, iridescent tail feathers in the gloomy undergrowth. Aerial photography takes us into the sky with an Ethiopian lammergeier dropping bones to smash them into edible-sized bits. Thousands of pink flamingoes promenade in one of nature's greatest spectacles. The sage grouse rubs his feathers against his chest in a comic display to make popping noises that attract females. The Vogelkop bowerbird makes up for his dull colour by building an intricate structure and decorating it with colourful beetles and snails.

An exploration of active volcanoes in Indonesia, Iceland, North Korea and Ethiopia, Herzog follows volcanologist and co-director Clive Oppenheimer, who hopes to minimize the volcanoes’ destructive impact. What is the Herzog’s quest? To gain an image of our origins and nature as a species. He finds that the volcano—mysterious, violent, and rapturously beautiful—instructs us that, "there is no single one that is not connected to a belief system".