Arguably the most powerful painting about war ever achieved. It portrays the slaughter of civilians after Napoleonic troops entered Madrid in 1808. The programme reveals the historical truths behind the painting and shows exactly how Goya achieved this masterpiece of protest. he painting's content, presentation, and emotional force secure its status as a groundbreaking, archetypal image of the horrors of war. Although it draws on many sources from both high and popular art, The Third of May 1808 marks a clear break from convention. Diverging from the traditions of Christian art and traditional depictions of war, it has no distinct precedent, and is acknowledged as one of the first paintings of the modern era. According to the art historian Kenneth Clark, The Third of May 1808 is 'the first great picture which can be called revolutionary in every sense of the word, in style, in subject, and in intention'. Discover how Goya used drawings by authentic witnesses to depict a real firing squad.
Competition to win a partner …has created some of the most extraordinary beauty and life-threatening violence anywhere in nature. Dazzling colours, elaborate dances and powerful weapons have all evolved to attract and defend a mate. The stakes could not be higher: without a mate, the journey of life ends here... sometimes literally.
Zeitgeist Addendum attempts to locate the root causes of this pervasive social corruption, while offering a solution. This solution is not based on politics, morality, laws, or any other 'establishment' notions of human affairs, but rather on a modern, non-superstitious based understanding of what we are and how we align with nature, to which we are a part. The work advocates a new social system which is updated to present day knowledge, highly influenced by the life long work of Jacque Fresco and The Venus Project.
Humans have long gazed up at the night sky, wondering whether other lifeforms and intelligences could be thriving on worlds far beyond our own. But over the last few decades, ultra-sensitive telescopes and dogged detective work have transformed alien planet-hunting from science fiction into hard fact. We expected to find worlds similar to the planets in our own solar system, but we instead discovered a riot of exotic worlds. Vivid animation based on data from the most successful planet hunter of them all, the Kepler space telescope, brings these worlds into view: puffy planets with the density of polystyrene, unstable worlds orbiting two suns and 1,000-degree, broiling gas giants with skies whipped into titanic winds. But perhaps the most startling discovery was the number of worlds that may be contenders for a second Earth, at the right distance from their sun to have that ingredient so crucial for life as we know it, liquid water. Amongst them, we witness the most tantalizing discovery of all: a so-called ‘super-Earth’, situated in the Goldilocks zone - the area just the right distance from a sun to potentially support life - and with the faint signal of water in its atmosphere.
A Winning Design clarifies what makes a mammal different from reptiles and birds. No, it isn't egg-laying: both the platypus and the echidna are egg-laying mammals; it's their ability to adapt. And it's this adaptability that becomes the crux of the remainder of the series. From the tiniest bat to the massive blue whale, all mammals share the ability to nurture their young on milk and regulate their own temperatures.
Earth is the most colourful place we know of. But the colours we see are far more complex and fascinating than they appear. In this series, Dr Helen Czerski uncovers what colour is, how it works, and how it has written the story of our planet - from the colours that transformed a dull ball of rock into a vivid jewel to the colours that life has used to survive and thrive". But the story doesn't end there - there are also the colours that we can't see, the ones that lie beyond the rainbow. Each one has a fascinating story to tell. Early Earth was a canvas for the vast new palette of the colours of life, with the diversity of human skin tones telling the story of how humanity spread and ultimately conquered the planet. Dr Helen Czerski explores the true masters of colour - which are often the smallest and most elusive - travelling to the mountains of Tennessee to witness the colourful mating display of fireflies, and revealing the marine creatures that can change the colour of their skin in order to hide from the world.
According to the art historian Kenneth Clark, The Third of May 1808 is 'the first great picture which can be called revolutionary in every sense of the word, in style, in subject, and in intention'. Discover how Goya used drawings by authentic witnesses to depict a real firing squad.