The filmmakers challenge former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers. Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands. The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.
Einstein's world-shaking Theory of Relativity says that time travel is perfectly possible -- if you're going forward in time. Finding a way to travel backwards requires breaking the speed of light, which so far seems impossible. But now, strange-but-true phenomena such as quantum nonlocality (where particles instantly teleport across vast distances) may give us a way to make the dream of traveling back and forth through time a reality. Step into a time machine and rewrite history, bring loved ones back to life, control our destinies. But if succeed, what are the consequences of such freedom? Will we get trapped in a plethora of paradoxes and multiple universes that will destroy the fabric of the universe?
Gaby Roslin and Amir Khan present a program in which they apply the latest science to some of the worst sleepers. They include an extreme snorer, a man who suffers from night terrors, a woman who has restless leg syndrome, and a man with chronic insomnia for 20 years. The film also shows a sleep deprivation experiment to test for risky behaviour, pain resistance and emotional control. When the subjects reach the final hours of the challenge, the experiment begins to take its toll as the participants' emotions go into overdrive, with one threatening to quit altogether.
A celebration of the career of the musician, whose death from cancer was announced 11th Jan 2016. Bowie's work was the soundtrack to a generation and influenced countless musicians and this features memorable music videos and performances, as well as tributes from friends and fans around the world". Singer, songwriter, multi-instrumentalist, record producer, painter, and actor. He was a figure in popular music for over five decades, and was considered by critics and other musicians as an innovator, particularly for his work in the 1970s. Bowie's impact was enormous; he changed the nature of rock music, and changed his own approach repeatedly. During his career, he sold an estimated 140 million records worldwide. In the UK, he was awarded nine platinum album certifications, eleven gold and eight silver, and in the US received five platinum and seven gold certifications. He was inducted into the Rock and Roll Hall of Fame in 1996. Bowie stopped concert touring after 2004, and last performed live at a charity event in 2006. In 2013, he returned from a decade-long recording hiatus, remaining musically active until his death from liver cancer three years later.
In the final arc of the season, Nathan Fielder pushes the boundaries of simulated reality to a disturbing new level. What begins as a controlled exercise in human rehearsal quickly unravels, as the participants lose sight of where the performance ends and real life begins. Nathan’s interventions grow increasingly invasive, blurring the lines between creator and subject, until the emotional weight of the experiment turns on him. With each scene, the series peels back another layer of reality, revealing unsettling truths about identity, manipulation, and control. By the final episode, the line between authenticity and artifice collapses—leaving viewers questioning everything they’ve witnessed.
This documentary tells the story a young polar bear's epic migration through the icy waters of Hudson Bay and his subsequent adventures on land, where he must spend the ice-free season. It is his first summer alone without his mother to guide and feed him. His struggle to survive is set against the biggest environmental story of our time: climate change. The stunning images were taken with more than eight different kinds of cameras including, for the first time, a polar bear collar-cam; a remote control Truck-cam; a mini Heli-cam, and several underwater cameras.
Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands.
The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.