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Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century.

In the third episode of the series, Morgan Freeman examines different faiths' concepts of God, discovering how monotheism began in Egypt and Israel and allowing a neuroscientist to examine his own brain.

In the fourth episode of the series, eyewitnesses recall how those in power at Auschwitz lined their pockets with wealth stolen from Jewish inmates while also engaging in illicit affairs.

The live concert also contain hits from Glenn Frey, Don Henley, and Joe Walsh's solo careers, and a few new songs as well, including Walsh's 'One Day at a Time' and 'Hole in the World,' Frey and Henley's moving, almost gospel-tinged reaction to the events of 9/11/01.
As for the somewhat cheeky title, well, there's always been a certain smugness to the Eagles' sense of humor, and it's no different this time, as Frey doesn't even pretend that there won't be a Farewell 2 Tour in the future. And why not? These are good songs, played beautifully by the quartet (plus supplemental musicians) to audiences that love them.

Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

The global cyberwar is heating up and the stakes are no longer limited to the virtual world of computers. Now, thanks in part to secret documents released by Edward Snowden, the true scale of the National Security Agency's scope and power is coming to light. Besides spending billions of dollars to ingest and analyze the worlds' electronic communications, the NSA has set out to dominate a new battlefield—cyberspace. We examine the science and technology behind cyber warfare and asks if we are already in the midst of a deadly new arms race". Already, highly sophisticated, stealthy computer programs such as the notorious Stuxnet worm can take over and even destroy the control systems that regulate everything from food factories to gas pipelines, power plants, and chemical facilities—even our cars. While the destruction of Iranian centrifuges may have delayed Iran’s bomb program and forestalled an Israeli attack, the attack has opened a Pandora's Box, and now America's own critical infrastructure is vulnerable to retaliation and attack. With leading defense experts and investigative journalists who have probed the murky realm of criminal and strategic hacking, NOVA examines the chilling new reality of cyberwar in which no nation or individual is safe from attack.