The second part of this series begins with his return home after his discharge from the army, and how he dealt with a rapidly changing pop scene. The picture is more complicated than even a fairly serious Elvis fan may understand. Priscilla Presley, who made some appearances in the first part, offers much more here, helping us understand how being forced into making a string of lousy movies was one kind of artistic prison, and then being ensconced in casino hotels for his famous Las Vegas residency was another. The man who had so carefully created his original persona was now stuck in the shallow roles others forced him to play.
Putin returns to power under a storm after a four-year absence, but his attempts to improve his popularity are hobbled by accusations of corruption. The final part of this sinister history doesn’t quite come up to date with Vladimir Putin’s recent moves to 'reset' the Russian constitution so he can rule, theoretically, until at least 2036 – longer than Stalin. But it does walk us through some of his other moves to entrench power, including vote-rigging in parliamentary elections that was so brazen, his approval ratings fell amid mass street protests. Leading the protests was opposition leader Boris Nemtsov, who was then simply gunned down on a street near the Kremlin. These days, we are told, the world stage interests Putin more than the Russian one, and with various 'mini-Putins' installed around the world, his legacy looks safe.
Pavarotti is a riveting film that lifts the curtain on the icon who brought opera to the people. Ron Howard puts audiences front row center for an exploration of the voice, the man, the legend. Luciano Pavarotti gave his life to the music and a voice to the world. This cinematic event features history-making performances and intimate interviews, including never-before-seen footage and cutting-edge Dolby Atmos technology. Born in 1935 in Modena in a worker-class family, Luciano Pavarotti felt since his childhood the passion by opera due to his father, an amateur tenor. Blessed with a powerful voice and student of the most important Italy's opera teachers of those times, soon the name of Pavarotti turned in a reference of the genre, giving some of the most remembered live performances in the most important theaters across the world, meeting with politicians and world leaders as well as rock and pop singers to bring concerts for humanitarian causes, over-passing any limit when he was part of The Three Tenors with the too opera singers José Carreras and Plácido Domingo.
The fiercest, strangest, and wildest creatures in the animal kingdom face off in a countdown of the most incredible animal moments ever recorded. Across arid deserts, through dense rainforests, and into the deepest of oceans, witness remarkable scenes of animal activity, from deadly showdowns to wild romances.
Mixing comedy with a thorough investigation of psychedelics, the film explores the pros, cons, science, history, future, pop cultural impact, and cosmic possibilities of hallucinogens. The documentary features comedic tripping stories from A-list actors, comedians, and musicians. Star-studded reenactments and trippy animations bring their surreal hallucinations to life. 'Have a Good Trip' tackles the big questions: Can psychedelics have a powerful role in treating depression, addiction, and helping us confront our own mortality? Are we all made of the same stuff? Is love really all we need? Can trees talk?
British film icon Michael Caine narrates and stars in My Generation, the vivid and inspiring story of his personal journey through 1960s London. Based on personal accounts and stunning archive footage, this feature-length documentary film sees Caine travel back in time to talk to The Beatles, Twiggy, David Bailey, Mary Quant, The Rolling Stones, David Hockney and other star names. The film has been painstakingly assembled over the last six years to tell the story of the birth of pop culture in London, through the eyes of the young Michael Caine: For the first time in history the young working class stood up for ourselves and said: Were here, this is our society and were not going away!
The picture is more complicated than even a fairly serious Elvis fan may understand. Priscilla Presley, who made some appearances in the first part, offers much more here, helping us understand how being forced into making a string of lousy movies was one kind of artistic prison, and then being ensconced in casino hotels for his famous Las Vegas residency was another. The man who had so carefully created his original persona was now stuck in the shallow roles others forced him to play.