Documentary AreaSimply the best Documentaries

The enemy gains ground when the massive Tet Offensive catches the Americans by surprise. At Khe Sanh and Pleiku, U.S. troops are under siege. Americans mount a counteroffensive but the shock of the assault ignites anti-war fervour at home.

American troops launch widespread 'search and destroy' operations; body count, not territory, becomes the measure of success in Vietnam. Charles Brown fights for survival on the bloody slopes of Hill 875 and at home, the American public begins to question U.S. military strategy.

Vintage footage from the Vietnam war is presented along with narration from both war veterans and Hollywood voice talent. The documentary follows key events and their impact on both the war effort and the American public.
The Beginning: The first episode looks at the early months of the Vietnam war from the escalation following the Gulf of Tonkin incident to the grim fighting of the Battle of Ia Drang where a few hundred American soldiers are pinned down by three battalions of North Vietnamese infantry. Using superior air power and reinforcements, the Americans fight the North Vietnamese to a draw.

A Chapter of forgotten history. The first permanent European settlement in the United States was founded in 1565–two generations before the settlements in Jamestown and Plymouth–not by English Protestants, but by the Spanish and a melting pot of people they brought with them from Africa, Italy, Germany, Ireland and even converted Jews, who integrated almost immediately with the indigenous tribes.
The film uncovers one story of America’s past that never made it into textbooks. Follow some of America’s leading archaeologists, maritime scientists, and historians as they share the story of Florida’s earliest settlers. It’s a story that has taken more than 450 years to reveal.

The five directors, John Ford, William Wyler, John Huston, Frank Capra, and George Stevens, return to Hollywood after the war but are forever haunted by what they saw. Ford goes on a drinking bender after filming the carnage at D-Day. Stevens is wholly unprepared for the horrors of Dachau and realizes he is not there to film propaganda but to capture evidence of crimes against humanity. Wyler, who lost his hearing during the war, fears his career is over. Huston chronicles soldiers suffering from postraumatic stress disorder in the film Let There Be Light, only to have it suppressed by the U.S. government.

In the second episode, the directors learn their vision for the films is not always permissible by the U.S. government. Wyler is shocked by the racism he encounters against African American soldiers and refused to make a film recruiting black soldiers. Meanwhile, the films' racist depiction of the Japanese versus human depiction of the Germans causes worry for the War Department, which at that time planned to redistribute the Japanese-American population from internment camps into towns across the United States.