Many movies lend themselves to dramatic interpretations, but none are as rich and far ranging as Stanley Kubrick's The Shining. In LA filmmaker Rodney Ascher's ROOM 237, we hear from people who have developed far-reaching theories and believe they have decoded the hidden symbols and messages buried in the late director's film. Carefully examining The Shining inside out, and forwards and backwards, and backwards and forwards, ROOM 237 as captivating, provocative as it is pure pleasure". It gives voice to the fans and scholars who espouse these theories, reworking the film to match their ideas and intercutting it with layers of dreamlike imagery to illustrate their streams of consciousness. Sometimes outrageous, always engaging, the words of those who were interviewed are given full force by Ascher's compelling vision. Also featured at the 2012 Sundance, Cannes and Toronto film festivals.

Written and presented by evolutionary biologist Richard Dawkins, in which he seeks to expose "those areas of belief that exist without scientific proof, yet manage to hold the nation under their spell", including mediumship, acupuncture and psychokinesis.

Merchants of Doubt takes audiences on a satirically comedic, yet illuminating ride into the heart of conjuring American spin. Filmmaker Robert Kenner lifts the curtain on a secretive group of highly charismatic, silver-tongued pundits-for-hire who present themselves in the media as scientific authorities - yet have the contrary aim of spreading maximum confusion about well-studied public threats ranging from toxic chemicals to pharmaceuticals to climate change. Inspired by the acclaimed book by Naomi Oreskes and Erik Conway

the rise and fall of a tech industry prodigy. Interviews with his friends and loved ones paint a portrait of Swartz as a martyr of freedom of information and hail his fight for the public's right to access tax-funded academic and scientific research, culminating in a personally devastating two-year Federal lawsuit." An avid researcher who had previously accessed otherwise private databases, Swartz, acting "in the grand tradition of civil disobedience to declare... opposition to this private theft of public culture" used MIT computers to access tax-funded research that would otherwise be held privately by for-profit publishers, an incident many viewers may remember from national headlines just a few year ago. Though neither MIT nor the digital repository Swartz accessed pressed charges, a US Attorney stepped in and filed a 13-count felony charge against Swartz, threatening him with over $1 million in fines and up to 35 years of jail time. Despite the defense of his peers, these events launched Swartz into a two-year long downward spiral of withdrawal and depression. Aaron Swartz's untimely death at the age of 26.

At the heart of the film is a simple proposition: what is a good society, and what role does the widening income gap play in the deterioration of the nations's economic health? We are endeavoring for Inequality for All to be a paradigm-shifting, eye-opening experience for the public. We want to accurately show through a non-partisan perspective why extreme income inequality is such an important topic for our citizens today and for the future.

From unexplained flashes in the night sky to flying saucers, this episode delves into the mysterious world of UFOs. How our drive to explain these bizarre phenomena, and desire to discover little green men, has in fact transformed our understanding of the universe