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Ma Anand Sheela emerges as a provocative spokeswoman. The Rajneesh control Antelope city council and they establish a police force in the city. Bhagwan tells Sheela it is time to control Wasco County. As Election Day approaches, the Rajneeshees recruit thousands of homeless people to fortify their ranks.

Ma Anand Sheela and several other followers recount their experiences of moving to the ranch and the hostility from the residents of the city of Antelope. With the help of architects, engineers, city planners and commune residents, Rajneeshees construct a town called Rajneeshpuram. The commune decides to become self-governing which would allow them to issue their own building permits and have separate law enforcement.
Locals describe their mistrust towards Bhagwan. The American press begins to affiliate Rajneeshpuram with the Jonestown Massacre and paints Bhagwan as an antichrist. The group '1000 Friends of Oregon' initiates a court case to have the buildings of Rajneeshpuram destroyed. In response, Sheela begins buying up available properties in Antelope.

When the followers of the Indian so-called 'guru of sex', Bhagwan Shree Rajneesh, start to build a utopian city in the Oregon desert, a massive conflict with local ranchers ensues; producing the first bioterror attack in US history, the largest case of illegal wiretapping, and the world's biggest collection of Rolls-Royce automobiles.
In the first episode, under the watchful eye of his secretary, Ma Anand Sheela, spiritual leader 'Osho' moves his ashram from India to Oregon in 1981.

Without words, Ron Fricke shows us the world, with an emphasis not on 'where,' but on 'what's there.' It begins with morning, natural landscapes and people at prayer: volcanoes, water falls, veldts, and forests; several hundred Balinese Hindu men perform kecak, the monkey chant. Indigenous peoples apply body paint; whole villages dance. The film moves to destruction of nature via logging, blasting, and strip mining. Images of poverty, rapid urban life, and factories give way to war, concentration camps, and mass graves. Ancient ruins come into view, and then a sacred river where pilgrims bathe and funeral pyres burn. Prayer and nature return. A monk rings a huge bell; stars wheel across the sky. (Click CC for places description)

Years after he changed the landscape of filmmaking with The Exorcist, filmaker and writer William Friedkin moves from fiction to fact with this documentary. What began as a brief conversation between Friedkin and Father Gabrielle Amorth - the head Exorcist for the Diocese of Rome for over 30 years - as two professionals who knew of each other's work, soon transformed into an once-in-a-lifetime opportunity, as Amorth agreed Friedkin could film an exorcism ceremony. It would be the ninth exorcism for a painfully afflicted woman, and it would be filmed by Friedkin alone, with no other crew allowed, no light other than the natural light in the room and a small digital camera-and-mic unit that could capture the ritual and its revelations.
Combining the startling and singular footage from Cristina's exorcism with interviews from priests and psychologists, neurosurgeons and non-believers, Friedkin guides us on a journey into the twilight world between the boundaries of what we know and what we don't.

The end is coming. But which cosmic catastrophe will deliver the death blow? Were the Vikings right to fear the frozen apocalypse of an endless winter? Did the Buddhists correctly predict a fiery end to life on Earth? Or will the thunderous Christian vision of Armageddon come crashing down from the stars? Which ancient prophesy do scientists believe accurately foretells our doom? And how close are we to the end of the world?
This film explores all the possibilities Apocalyptic Visions to the Future.