Documentary AreaSimply the best Documentaries

Now, the most famous woman to graduate college finds her voice, but when she tries to use it, a toxic culture that perpetuates misogyny will do anything to shut her up. Brooke Shields talked about her life and career. There was a time when she was a household name, a cultural phenomenon. Shields didn’t need much of an introduction. Most often, her starring role in the 1980s film 'Blue Lagoon' or her Calvin Klein ads are enough.

In the second episode, Nathan develops a rehearsal for Angela, a woman considering motherhood. Nathan hires child actors to simulate adopting and caring for a baby and sets her up in a rented farmhouse in rural Oregon. Due to Oregon child protection laws, Nathan's team must covertly switch out the baby every four hours and replace it with a robot baby at night. Seeking a simulated husband, Angela dates Robbin, a numerology-obsessed man who wants to have sex with Angela despite her devout Christian beliefs against premarital sex. When Robbin quits the project due to the robot baby's incessant crying, Nathan inserts himself into the experiment as Angela's non-romantic co-parent.

It's the question you're not allowed to ask. The documentary they don't want you to see. Are gender roles just a 'social construct'? Can a woman be 'trapped in a man’s body'? Does being a woman mean anything at all? We used to think being a woman had something to do with biology, but the nation’s top experts keep assuring us that is definitely not the case. So Matt Walsh sat down with the experts and asked them directly. He discovers that no one—not doctors, therapists, psychiatrists, or politicians—can actually define the word 'woman'.
Walsh uncovers the shocking and horrifying roots of radical gender ideology and learns exactly how activists and ideologues are trying to brainwash our kids. He also reveals a strategy to defeat the collective insanity that has taken over our society. Join Matt on his often comical, yet deeply disturbing, journey as he answers the question generations before us never knew they needed to ask: What is a woman?

In this second episode, a woman recounts her journey to becoming a mouthpiece for white nationalist hate speech, work that culminates in high-profile violence and murder. Samantha confesses how she became a spokesperson on the Internet for the hate speech of one of the many white nationalist groups that swarm the United States. And this fact ended in racist violence and death during an event.
'I had to start to realize what I was supporting. Was I the victim or was I also a villain?' says Samantha, looking into the camera. Hand in hand with xenophobia, digital true crime seems to have no respite, and so it will be shown how those supremacists work with good Wi-Fi.

In the fourth episode, several women recall their harrowing experiences with one man's heinous attempts at virtual blackmail, aimed at obtaining sensitive sexual material.
A woman tells us: 'I received a message from a man who said: Send me a naked picture or I will kill you'. This young woman was able to add her case to those of other women who were encouraged to denounce and expose the harasser. No one is completely invisible on the Internet.

A young mother's mysterious death and her son's subsequent kidnapping blow open a decades-long mystery about the woman's true identity and the murderous federal fugitive at the center of it all.
It's late at night in Oklahoma City, in April of 1990. Two or three guys are in a truck driving along the road and they see some kind of debris. And then they see off to the side, there's a body. It appears to be a young woman, a blonde-haired woman and they call an ambulance. She's rushed to the hospital, and her husband, Clarence, eventually shows up. He says her name is Tonya Hughes, that she's a stripper in Tulsa, and that they have a young son named Michael. And he's much older and he's just kind of this weird guy. So, the doctors, as they continue to examine her, they see old bruises and old injuries. There's something wrong with this picture. Ultimately, she passes away. The girls Tonya danced with want to find her family. So they call this woman and they tell her that her daughter died. And she says, 'What are you talking about? My daughter died 20 years ago, she was only 18 months old.' They realize that who they just buried was not Tonya Hughes, so now they're asking, 'What happened?'.