Documentary AreaSimply the best Documentaries

Cobra Gypsies offers a contemporary and colorful window to the amazing ancient culture of the nomadic Kalbeliya tribe, living in rural Rajasthan, Northern India. Their name means 'those who love snakes'. The film explores their culture of eternal dance, syncopated music, snake charming, colorful fashion and the nomadic way of life of these exotic looking castoffs, ancestors to the modern Roma Gypsies living in Europe today.

In July 1970, Jimi Hendrix stepped onto the stage of the Atlanta Pop Festival before an audience of more than 300,000 people—the largest American crowd of his career. This film presents rare, restored footage of that historic Independence Day performance, where he delivered unforgettable renditions of classics like Hey Joe, Voodoo Child (Slight Return), and The Star-Spangled Banner. Alongside the music, interviews with Hendrix, his bandmates Mitch Mitchell and Billy Cox, and contemporaries such as Paul McCartney provide insight into his artistry and state of mind at the time.
Framed against the cultural backdrop of Vietnam, civil rights struggles, and the countercultural movement, this documentary captures not only a milestone concert, but also the moment Hendrix became both a symbol and a voice for a restless generation.

Dan Cohen, founder of the nonprofit organization Music & Memory, fights against a broken healthcare system to demonstrate music's ability to combat memory loss and restore a deep sense of self to those suffering from it.

It tells the story of FIFA World Cup of 1950, highlighting (but also showing other nations) the path of the two teams who played the final match: Uruguay and Brazil. The high quality of the footage is amazing, the text is smart and humorous, the music has been very well chosen in order to represent both the emotions involved in each moment and the contrast between the calmness of Uruguayan preparation and the crowded days of Brazilian team." The whole story shows not only one side. While Uruguayan team acquired confidence after an initial mistrust, Brazil was by far the best team in the competition but was heavily influenced by the environment in Brazilian society, the influence of politics and the pressure of the fans. While Uruguay overcame heroically all the constraints and, led by Obdulio Varela, won a title that few people believed, Brazilians got shocked because they considered themselves champions even before the final match, and their players became stigmatized until nowadays, not being celebrated as the fantastic team they were.

Beginning in 1997 with a few thousand revelers in Los Angeles, the Electric Daisy Carnival has become the largest dance music event in North America. Known for its over the top displays of pyrotechnics, world-class artists, costumed theatrical performers, interactive art installations, full scale carnival rides and state-of-the-art lighting and sound production, 2013's festival attracted 345,000 attendees from June 21-23". The film will follow festivalgoers as they prepare for their journey to EDC Las Vegas and chronicle their unique experience throughout the three-day festival. Behind the scenes footage and interviews with key Insomniac team members will give new audiences the chance to discover what has made the Electric Daisy Carnival a global phenomenon.

This documentary looks at the remarkable genius of Orson Welles on his centenary - the enigma of his career as a Hollywood star, a Hollywood director (for some a Hollywood failure), and a crucially important independent filmmaker. Orson Welles's life was magical: a musical prodigy at age 10, a director of Shakespeare at 14, a painter at 16, a star of stage and radio at 20, romances with some of the most beautiful women in the world, including Rita Hayworth. His work was similarly extraordinary, most notably Citizen Kane, (considered by many to be the most important movie ever made), created by Welles when he was only 25. In the years following Citizen Kane, Welles's career continued to change as he made film after film (some never finished, many dismissed) and acted in other projects often to earn money in order to keep making his own films. Magician features scenes from almost every existing Welles film, from Hearts of Age, (which he made in a day when he was only 18 years old) to rarely-seen clips from his final unfinished works like The Other Side of the Dream, The Deep, and Don Quixote, as well as his television and commercial work.