In a far cry from the steamy jungles of Rwanda or the icy waters of the Arctic, British naturalist Sir David Attenborough has donned a necktie and met with US president Barack Obama to discuss climate change and the future of the planet. The two met at the White House — a place the naturalist had never yet explored — on Sir David's 89th birthday in May to film the interview". It was the first time the respected wildlife filmmaker had met an American president and he seemed a little awed by the experience. Mr Obama, who grew up watching Sir David's programs, seemed equally thrilled. The president has the environment and climate change on his radar and is anxious to see progress made as his presidency comes to a close. He faces stiff opposition from Republicans in Congress on his plans to tackle climate change, but remains determined to make changes before leaving office. "I don't have much patience for anyone who denies that this challenge is real," he said. "We don't have time for a meeting of the Flat Earth Society." Sir David, who has been called "the godfather of natural history TV" by the BBC, brought to the meeting six decades dedicated to sharing the wonders of the natural world with television audiences. After initially being rejected for television because his teeth were deemed "too big", Sir David went on to make his Life on Earth television series, which has been watched by more than 500 million people worldwide. His name is now synonymous with nature, conservation and wildlife. During the television interview, the men discussed global warming, renewable energy and how children and young people hold the key to reversing the damage.

Of all the wonders of the human body, there's one more mysterious than any other. Blood: five precious litres that keep us alive. Yet how much do we really know about this sticky red substance and its mysterious, life-giving force? Michael Mosley gives up a fifth of his own blood to perform six bold experiments". From starving it of oxygen to injecting it with snake venom, Michael reveals the extraordinary abilities of blood to adapt and keep us alive. Using specialist photography, the programme reveals the beauty in a single drop. Michael even discovers how it tastes when, in a television first, he prepares a black pudding with his own blood. Down the ages, our understanding of blood has been as much myth as science, but Michael reveals there might be truth in the old vampire legends, as he meets one of the scientists behind the latest research that shows young blood might be able to reverse the ageing process - the holy grail of modern medicine.

This documentary looks at the remarkable genius of Orson Welles on his centenary - the enigma of his career as a Hollywood star, a Hollywood director (for some a Hollywood failure), and a crucially important independent filmmaker. Orson Welles's life was magical: a musical prodigy at age 10, a director of Shakespeare at 14, a painter at 16, a star of stage and radio at 20, romances with some of the most beautiful women in the world, including Rita Hayworth. His work was similarly extraordinary, most notably Citizen Kane, (considered by many to be the most important movie ever made), created by Welles when he was only 25. In the years following Citizen Kane, Welles's career continued to change as he made film after film (some never finished, many dismissed) and acted in other projects often to earn money in order to keep making his own films. Magician features scenes from almost every existing Welles film, from Hearts of Age, (which he made in a day when he was only 18 years old) to rarely-seen clips from his final unfinished works like The Other Side of the Dream, The Deep, and Don Quixote, as well as his television and commercial work.

Researchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps liberated by allied troops. When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums. This eloquent, lucid documentary by André Singer (executive producer of the award-winning The Act of Killing) tells the extraordinary story of the filming of the camps and the fate of Bernstein’s project, using original archive footage and eyewitness testimonies.

Corey Feldman (star of Friday the 13th: The Final Chapter) narrates Crystal Lake Memories, which features interviews with approximately 150 cast and crew members from all twelve Friday the 13th films and the syndicated television series, many of whom have never before appeared in on-camera interviews. Interview subjects include Kane Hodder, Robert Englund, Tom Savini, Danielle Panabaker, Sean S. Cunningham, Derek Mears, Betsy Palmer, Wes Craven, Robert Shaye, Alice Cooper and many more

Academy Award-winning director Alex Gibney (Taxi to the Dark Side) masterfully explores the fall of the disgraced cycling champion following the 2009 Tour de France, making use of his extraordinary access to attain rare interviews with former teammates, alleged doping mastermind Dr. Michele Ferrari, and Armstrong himself. What was Lance Armstrong thinking? For years, after seizing international fame as the cancer survivor who won seven Tour de France titles, he fiercely denied accusations that he used performance-enhancing drugs. He used his power to aggressively litigate journalists and publicly humiliate former friends who claimed otherwise. His deceit finally cracked in January 2013, when he admitted guilt to Oprah Winfrey in a television interview that critics decried for only scratching the surface. Academy Award-winning director Alex Gibney approaches Armstrong with unique and extraordinary access. In 2009, Gibney was commissioned to make a film about Armstrong's return to the Tour de France, four years after the racing champion had declared retirement. That race would later stir up devastating evidence in the case against Armstrong. But Gibney came away from the experience unable to reconcile the discrepancy between doping allegations and Armstrong's emphatic denials. Then, post-Oprah, Gibney went back to Armstrong for new interviews to extract a more detailed account of his double life. In The Armstrong Lie, Gibney masterfully explores the complexities of the case, interweaving the dramatic action of the 2009 Tour de France, when Armstrong found himself unexpectedly competing against his own teammate Alberto Contador. Gibney attains rare interviews with Armstrong's former teammates and alleged doping mastermind Dr. Michele Ferrari. The film also raises troubling questions about the process of doping regulation. Recently, when asked to give advice to documentary filmmakers, Gibney responded with a motto exemplified by this film: "Embrace contradictions."