Documentary AreaSimply the best Documentaries

In an invisible territory at the margins of society lives a wounded community who face the threat of being forgotten by political institutions and having their rights as citizens trampled. Disarmed veterans, taciturn adolescents, drug addicts trying to escape addiction through love; ex-special forces soldiers still at war with the world; floundering young women and future mothers; and old people who have not lost their desire to live. Through this hidden pocket of humanity, renowned documentarian Roberto Minervini opens a window to the abyss of today's America.

Director Chris Bell turns his camera on the abuse of prescription drugs and, ultimately, himself. After witnessing friends and relatives face tragedy as they become addicted to prescription drugs, Bell sets out to explore the goals of pharmaceutical companies and doctors in this ever-growing market, and asks how they are any different from back-alley drug-pushers. His journey leads to experts on the nature of addiction in our culture, as well as to pharmaceutical whistleblowers that testify to the solely dollar-driven aims of pharmaceutical companies.

In this series, the pursuit of the perfect image takes five adventurous photographers on journeys to the ends of the Earth, where they push the limits of their craft. In the first episode, Australian marine photographer Darren Jew captures mating humpback whales in Tonga, a 70-year-old biplane wreck and an active New Guinea volcano.

The photographer of the second episode of the series is Richard I'Anson, who documents a fire rite, attempts to photograph the elusive Himalayan snow leopard and captures the colorful Festival of Holi.

In the third episode, prominent adventure sports photographer Krystle Wright captures the immersive world of free-diving in Vanuatu, athletes who appear to walk on air in the canyons of Colorado, and powered para-gliders on the flooded salt pans of Utah.

Laurie Anderson embarks on a cinematic journey through love, death and language. Cantering on Anderson's beloved rat terrier Lolabelle, who died in 2011, the film is a personal essay that weaves together childhood memories, video diaries, philosophical musings on data collection, surveillance culture and the Buddhist conception of the afterlife, and heartfelt tributes to the artists, writers, musicians and thinkers who inspire her. Fusing her own witty, inquisitive narration with original violin compositions, hand-drawn animation, 8mm home movies and artwork culled from exhibitions past and present, Anderson creates a hypnotic, collage-like visual language out of the raw materials of her life and art, examining how stories are constructed and told - and how we use them to make sense of our lives.