Jean-Michel Cousteau invites you to embark on a breathtaking underwater voyage to discover the ultimate predator: the shark. Experience an astonishing up-close encounter in 3D with the Lions and Tigers of the Ocean. Come face-to-face with a multitude of shark species, including the Great White, Hammerhead, and Whale Shark. Witness them as they really are: not wicked man-eating creatures, but wild, fascinating and endangered animals that have been in existence a million years before dinosaurs roamed the Earth. Join a team of ocean explorers on a round-the-globe expedition documenting the life of the ultimate predator.

An examination of the heavy metal music subculture that tries to explain why, despite the longevity and popularity of the genre, fans are marginalized and ridiculed for their passion.
Sam Dunn is a anthropologist and a lifelong metal fan. After years of studying diverse cultures, Sam turns his academic eye a little closer to home and embarks on an epic journey into the heart of heavy metal. His mission: to figure out why metal music is consistently stereotyped, dismissed and condemned, even while the tribe that loves it stubbornly holds its ground -- spreading the word, keeping the faith and adopting styles and attitudes that go way beyond the music.
Sam visits heavy metal landmarks as far flung as L.A.'s Sunset Strip, the dirty streets of Birmingham and the dark forests of Norway. Along the way, the two sides of Sam Dunn -- curious anthropologist and rabid fan -- collide, as Sam explores metal's obsession with sex, religion, violence and death, meets his heroes, and discovers some things about the culture that even he can't defend.

Artists, academics, and critics discuss the historical origins, original reception, and slow climb to critical acclaim for Eugene Delacroix's painting commemorating the Revolution of 1830, 'Liberty Leading the People.'
A woman of the people with a phrygian cap personifying the concept of Liberty leads the people forward over a barricade and the bodies of the fallen, holding the flag of the French Revolution – the tricolour, which again became France's national flag after these events – in one hand and brandishing a bayonetted musket with the other. The figure of Liberty is also viewed as a symbol of France and the French Republic known as Marianne.

Without doubt, the Eagles are one of the all-time biggest acts in popular music since the dawn of the rock'n'roll era. The band's roots go back to their role as defining artists in the phenomenally popular Southern California rock scene of the '70s, a decade in which they delivered four consecutive #1 albums.
Their momentous 2004 farewell tour filled stadiums around the world, and this series captures one of the most stellar events from that now-historic global sweep. It was filmed in Melbourne, Australia at the Rod Laver Arena on November 14, 15 and 17, 2004.

Thirty songs over two and a half hours, with fine performances, great sound, and good visual direction: it's all here on this series. At one point, the veteran band seemed unlikely to even make it to the new millennium, but here they are, mostly intact, with a string of hits dating back more than three decades. The majority of them are performed here, from the earliest ('Take It Easy,' 'Desperado,' 'Peaceful Easy Feeling') through 'Hotel California' and 'Life in the Fast Lane' and right up to 'Love Will Keep Us Alive'.

The live concert also contain hits from Glenn Frey, Don Henley, and Joe Walsh's solo careers, and a few new songs as well, including Walsh's 'One Day at a Time' and 'Hole in the World,' Frey and Henley's moving, almost gospel-tinged reaction to the events of 9/11/01.
As for the somewhat cheeky title, well, there's always been a certain smugness to the Eagles' sense of humor, and it's no different this time, as Frey doesn't even pretend that there won't be a Farewell 2 Tour in the future. And why not? These are good songs, played beautifully by the quartet (plus supplemental musicians) to audiences that love them.