Swipe, swipe, swipe, It's not easy to find love online, so when Cecilie matches with a handsome billionaire playboy, she can't quite believe it when he turns out to be the man of her dreams. But dreams aren't reality and by the time she discovers this international businessman isn't who he says he is, it's too late. He's taken her for everything.
Posing as a wealthy, jet-setting diamond mogul, he wooed women online then conned them out of millions of dollars. But now some victims plan for payback and a revenge thriller begins.

This is the story of Gerald Cotten and the many people who ended up with empty bank accounts after investing in his Bitcoin cryptocurrency exchange, QuadrigaCX. What does a crypto exchange do? The movie explains it concisely and it almost makes sense: A guy like Cotten takes an investment, converts it to Bitcoin and trades it in hopes of turning a profit, kind of like a stock day trader does. Cotten ’s described as a nerdy guy who felt like an outcast, but found a community of like-minded types in the cryptocurrency world.
Cotten was in India when he got sick and unexpectedly died; he was 30. At the time, QuadrigaCX was Canada’s biggest crypto exchange, holding north of $200 million. But nobody could access the keys and passwords to the company’s accounts and, against conventional wisdom, the company had no safeguards to stop such a thing from happening. Everyone who invested their money was left grasping at empty air. Internet forums foster ideas such as Cotten faked his death and took the money. The journalists and forensic accountants who lend the voice of reason, explores the oddities in the Cotten narrative, ruling out some of the crazier stuff in a quest for the truth.

Jennifer Griffith and Sarah Carver were working for the Disability Administration and noticed all this corruption firsthand. They wrote to the Social Security Administration, wrote to lawyers, wrote to the president of the United States. But nothing ever came of their complaints until the Wall Street Journal story broke. Then, with national attention brought to Conn, the Senate, the FBI and the SSA (who’d been enabling the fraud the whole time) finally stepped in.
Series finale. Eric leads the government on a wild goose chase. The fallout from the fraud takes its toll on a struggling Kentucky community.

Global superstar Jennifer Lopez reflects on her multifaceted career and the pressure of life in the spotlight in this intimate film. The documentary also unveils the characteristics that make the superstar the figure she is: from her performances on stages around the world, to her halftime show at the 2020 Super Bowl, one of the most controversial performances in the history of this show.
It also addresses how the international superstar, who has inspired people for decades with her perseverance, creative brilliance and cultural contributions, takes the reins of her career, using her voice for a greater purpose. Jennifer Lopez exposes her insecurities, the pressures the media has placed on her career and the effect paparazzi and tabloids have on the life of a star.

In the fifth episode we will see from counterfeit Beanie Babies to very real tax crime. One person wonders if could make refunds in the name of dead people. It turns out that it can.
We will also see an attempted fraud by two hackers to the IRS: the United States federal agency in charge of tax collection. These skilled hackers revisit cyber schemes that landed them in the sight of law enforcement.

Three years in the making, Francis Whately’s film is a social and musical history of (probably) the world’s greatest music festival, as told by its principal curators, Michael and Emily Eavis, and many of the key artists who’ve appeared there between 1970 and 2019 – Billie Eilish, Thom Yorke, Florence Welch, Dua Lipa, The Levellers, Aswad, Orbital, Fatboy Slim, Linda Lewis, Noel Gallagher, Ed O’Brien, Chris Martin, Stormzy and more.
Balancing the driving forces of social conscience and hedonism, Glastonbury has always been both a world apart and a barometer of the state of the nation. Looking at the hippie days, CND, the contribution of the travellers, dance music, Britpop, The Wall, the impact of television and the first black British solo headliner, this film takes viewers backstage and deep into the archive to reveal the forces that have driven this alternative nation between utopia and dystopia, the greatest night of your life and a muddy field in the middle of nowhere.
This is not a chronological plod through the festival’s evolution so much as a thematic and story-driven exploration of the peaks and troughs, and the agonies and ecstasies, that have shaped Glastonbury’s 50 years and counting.