The film looks at one of the most critical questions facing the world today-that of food security-and demonstrates the desperate need for common sense, solid information, and calm logical deliberation. Using the often angry and emotional controversy over genetically-modified foods as its entry point, Food Evolution shows how easily fear and misinformation can overwhelm objective, evidence-based analysis.
Food Evolution takes the position that science and scientists hold the key to solving the food crisis. But whose science? In the GMO debate, both sides claim science is on their side. Who's right? How do we figure this out? What does this mean for the larger issues of food security, sustainability, and environmental well-being? Food Evolution seeks to answer these critically important questions.

The film exposes the dark world of ivory trafficking. Ivory is a prized status symbol for middle class Chinese, and poachers in pursuit of elephants in Africa are causing a great damage. Award-winning director Richard Ladkani and Kief Davidson filmed undercover for 16 months infiltrating and documenting the deep-rooted corruption at the heart of the global ivory trafficking crisis.

Annalisa Piras and former editor of The Economist Bill Emmott, which explores the crisis facing Europe. Through case studies of citizens in different countries, the film explores a range of factors that have led to the present crisis, economic and identity challenges across Europe. High-level experts analyse how and why things are going so wrong. The film includes fictional scenes, set in a post-EU future, which feature archaeologist Charles Granda (played by Angus Deayton) travelling on a flight through a menacing storm, explaining to a child passenger what the EU was. Sombre, thought-provoking and witty, the film frames Europe through the eyes of those who have most at stake - the Europeans themselves.

This episode covers the European refugee crisis, the largest refugee migration since World War II. Following the refugees on their journey, Vice sets out to cover not only the trials of those seeking asylum from the Syrian conflict, but the reactions from the Western world and the countries that have sought to take them in. Unfortunately, but perhaps not surprisingly, the response in many regions has been oppositional, especially in the aftermath of the Paris and Brussels ISIS attacks. In addressing this modern world crisis, Vice depicts the severe trials and tribulations faced by the desperate refugees, and the consequences, noticed or unnoticed, of turning them away.

For 45 years, America was locked in the Cold War with the Soviet Union, and fear of global nuclear annihilation was constant. The end of the Cold War in 1991 was supposed to usher in a new era of peace and cooperation, but it didn’t last. Tensions between the U.S. and Russia have been simmering for years. And now, the conflict in Ukraine has pushed the relationship to the brink of full-blown crisis. VICE Founder Shane Smith met Kremlin officials and American leaders to figure out what’s really driving the new standoff between the powers, while correspondent Simon Ostrovsky reported from the front lines of the bloody war in Eastern Ukraine.

As tuition rates spiral beyond reach and student loan debt passes $1 trillion (more than credit card debt), IVORY TOWER asks: Is college worth the cost? From the halls of Harvard, to public colleges in financial crisis, to Silicon Valley, filmmaker Andrew Rossi assembles an urgent portrait of a great American institution at the breaking point. Through interviews profiled at Arizona State, Cooper Union, and Sebastian Thrun's Udacity-among several others-IVORY TOWER reveals how colleges in the United States, long regarded as leaders in higher education, came to embrace a business model that often promotes expansion over quality learning. Along the way we also find unique programs, from Stanford to the free desert school Deep Springs to the historically black all women's college Spelman, where the potential for life-changing college experiences endure.