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China's last empire, the Qing, lasted from 1644 to 1912. It began in violence and war as the Manchus swept down from the north, but invaders became emperors, with three generations of one family ruling the country. Among them, Michael Wood argues, was China's greatest emperor - Kangxi. Under the Qing, China doubled in size to include Xinjiang in the far west, as well as Mongolia and Tibet, creating the essential shape of China today. The new dynasty tolerated a diversity of cultures and religions, including Islam. In Kaifeng, Michael visits a women's mosque with a female imam, a delightful scene that ends with laughter and selfies! The Qing also undertook huge cultural enterprises. At a traditional printing house where the wood blocks are hand-carved, we see how the Complete Tang Poems were reproduced - all 48,000 of them. We travel through the wintry countryside to a remote village where a hardy audience watch open-air opera in the snow and visit a painter's studio, and 'storytelling' houses in Yangzhou. In the 18th century, China was arguably the greatest economy in the world, and we get a fabulous sense of the rich culture that came with prosperity. But then came the clash with the British, in the first Opium War, when a British expedition destroyed the Qing navy and extracted territory and trading rights. We leave with a glimpse of the future. 'Every dynasty has risen and declined,' says Michael, 'and has needed new life to regenerate, and this time the catalyst was the British.' Among the ports China ceded was an almost uninhabited island, Hong Kong, one of today's greatest financial centres, and Shanghai, a small town then but now one of the greatest cities in world.

Between 1850 and 1950, three cataclysmic revolutions shook China to the core, but out of them, today's China emerged. The film begins in Canton with the meeting of a US missionary and a Chinese student. Inspired by the Christian story and calling himself God's second son, Hong unleashed the bloodiest war of the 19th century, the Taiping Rebellion.
As imperial China weakened, foreign influence grew. Treaty ports expanded, bringing growth and wealth, trams, railways and western sensibilities. But this provoked another surge of violence, the Boxer Rebellion, an attack against the foreigners, which was crushed by those same foreigners, who extorted a huge indemnity - $60 billion in today's money.
Then in 1912, the empire fell, and many groups contested China's future. In World War I, China sent 100,000 men to the western front, only to be humiliated at Versailles when German colonies in China were handed to Japan. Between the two world wars, the disparity between rich and poor, city and countryside increased. We visit Hong Kong's Peninsular Hotel in the jazz age and then follow Mao on the Long March to Yan'an, the heartland of revolution.
World War II came to China two years earlier than it did in the west. Wood talks to a survivor of the Japanese massacre of Nanjing in 1937 and then charts the triumph of the communists, before ending the story with Mao's death and the boom time of the last 30 years. The series ends with the warmth of the Chinese family and, at Beijing's Altar of Heaven, a final haunting glimpse of eternal China.

For centuries, the precise workings of gravity have confounded the greatest scientific minds - from Newton to Faraday and Einstein - and the idea of controlling gravity has been seen as little more than a fanciful dream. Yet in the mid 1990s, UK defence manufacturer BAE Systems began a ground-breaking project code-named Greenglow. Nasa was simultaneously running its own Breakthrough Propulsion Physics Project". It was concerned with potential space applications of new physics, including concepts like 'faster-than-light travel' and 'warp drives'. Looking into the past and projecting into the future, Horizon explores science's long-standing obsession with the idea of gravity control. It looks at recent breakthroughs in the search for loopholes in conventional physics and examines how the groundwork carried out by Project Greenglow has helped change our understanding of the universe. Gravity control may sound like science fiction, but the research that began with Project Greenglow is very much ongoing, and the dream of flying cars and journeys to the stars no longer seems quite so distant.

The hunt for aliens is on! After a distinguished career in cosmology Professor Martin Rees, the astronomer royal, has taken up the search for extra-terrestrials. Looking for aliens is no longer science fiction - it is a question that's engaging some of the greatest minds in science." As our knowledge of the universe has increased, we're getting closer to answers. Many scientists now think we live in galaxy with a billion Earth-like planets, many of which may be teeming with life. But what kind of life? Has anything evolved into beings we could communicate with? This film gets inside the minds of the scientists considering one of the most exciting and profound questions we can ask - are we alone in the universe? Professor Rees thinks we may have our idea of what an alien is like all wrong. If he's right, it's not organic extra-terrestrials we should look for, it's machines.

A war story unlike any ever seen. A story of what happens when one ordinary man, Time magazine war correspondent Michael Ware, transplanted into the Middle East by the reverberations of 9/11, butts into history. Ware handpicked and given a shattering video tape by the most feared, most hated terrorists on the planet to announce his arrival of the world stage sets out on an epic journey into the deepest recesses of the conflict as he seeks answers. Answers that he thinks will lead him to the Truth. The invasion of Iraq has ended, and the Americans are celebrating victory. The year is 2003. Alone and in secret one man, Abu Musab al Zarqawi is planning the real war. Step- by-step he lays out his plan in a letter to Osama bin Laden: the suicide truck bombings; the bloody horrors of the civil war; the televised beheadings. He carries out his grand design to transform the invasion into one of the most brutal conflicts our time and a catastrophe for the planet...and he does it all on camera. He gives the tape to Michael Ware. The tape sets our correspondent off on an epic voyage as he seeks answers. As he seeks what he thinks will be the Truth.

We all project images of ourselves online - a curated identity that defines how we want to be perceived. But what temptations exist to embellish and what are the dark implications? In this episode, enter the world of Cyberbanging, where inner city youth are using social media to brag, conspire and incite violence; two African-American women bloggers who have turned the table on the trolls who threaten them; and the creator of Abdullah X, an online character who's trying to keep Muslim kids from falling under the spell of Islamic extremists.