The film, directed by James Swirsky and Lisanne Pajot, looks at the underdogs of the video game industry, indie game developers, who sacrifice money, health and sanity to realize their lifelong dreams of sharing their creative visions with the world. This Sundance award-winning film captures the tension and drama by focusing on these artists' vulnerability and obsessive quest to express themselves through a 21st-century art form.
The filmmakers challenge former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers. Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands. The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.
We can survive for weeks without food, but only days without water: it is the essential element of life. Yet many millions of us live in parched deserts around the world. In the second episode of Human Planet, we discover how the eternal quest for water brings huge challenges - and ingenious solutions - in the driest places on Earth. Battling through a sand storm in Mali, Mamadou must get his cows to a remote lake but desert elephants have arrived first. Can he find a safe way through the elephant blockade? Alone for weeks on end, Tubu women and children navigate the endless dunes of the Sahara. How does young Shede know where to find the last oasis, three days walk across the sea of sand? At the height of the drought we witness a spectacular frenzy: two thousand men rushing into Antogo Lake to catch the fish trapped by the evaporating water. When the rain finally arrives in the desert it's a time for flowering and jubilation - and love. The Wodaabe men of Niger put on make-up for an intoxicating courtship dance and beauty contest.
The film tells the tale of Nim Chimpsky, a chimpanzee who was the subject of a landmark experiment to see if an ape could learn to communicate with language if raised and nurtured like a human child. This study was the brainchild of Dr. Herbert Terrace, a Columbia University behavioral psychologist who hoped to teach Nim enough language that he could eventually express what he was thinking and feeling. This would refute Noam Chomsky's thesis that language is inherent only in humans, hence his moniker, a direct pun on the famous linguists' name. The doc was a smash when it played at Sundance with this entirely different incredible but true story
Every year, thousands of aspiring dancers enter one of the world's most prestigious ballet competitions, the Youth America Grand Prix, where lifelong dreams are at stake. In the final round, with hundreds competing for only a handful of elite scholarships and contracts, practice and discipline are paramount, and nothing short of perfection is expected. Bess Kargman's award-winning documentary, First Position, follows six young dancers as they prepare for a chance to enter the world of professional ballet, struggling through bloodied feet, near exhaustion and debilitating injuries, all while navigating the drama of adolescence. A showcase of awe-inspiring talent, tenacity and passion, First Position paints a thrilling and moving portrait of the most gifted young ballet stars of tomorrow.
Growing up. Finding food. Seeking shelter. Finding a soul mate. Raising children. These universal themes touch the hearts of audiences everywhere. Parents will do anything to give their kids the best start in life. Witness the epic journey of a tiny poison arrow frog, scaling impossibly high trees to feed her tadpoles in the canopy. As the young grow, they confront the life long search for food. Capuchin monkeys spend up to eight years teaching their young the complex process of preparing a palm nut meal. For those creatures who successfully negotiated all the obstacles to adulthood, it’s time to face the ultimate test: to find a partner and to pass on their genes to the next generation. In what is one of the most spectacular and romantic courtship dances in the world, grebes step out across the surface of a lake in perfect unison. We see so much of ourselves in these different animals, and them in us – intelligence, strength, determination, courage, even love. The stories combine to reveal how every living thing on our planet shares the same desire – not just to live, but to foster new life. Relevant, engaging and above all, amazing. Narrated by Daniel Craig,
This Sundance award-winning film captures the tension and drama by focusing on these artists' vulnerability and obsessive quest to express themselves through a 21st-century art form.