Deep in the Andean mountains lays a mysterious ruin named Machu Picchu. For 400 years it sat abandoned on its misty cliff, the quintessential lost city in the jungle. Rediscovered in 1911, it contained no written records or carvings, nothing that could shed light on its history. For a century since, it has defied the endless scores of visitors and scientists who attempted to understand its purpose. Who were the mysterious people who built it and why did they build it here? Today an international team of archaeologists, engineers and scientists are finally piecing together the clues. Together they are discovering astonishing new burials, revealing the intricacies of its ingenious engineering and finally decoding the secrets of Machu Picchu.

When ancient architects completed construction on the Great Pyramid at Giza, they left behind the greatest riddle of the engineering world—how did builders lift limestone blocks weighing an average of two and a half tons 480 feet up onto the top of the Pyramid? For centuries, adventurers and Egyptologists have crawled through every passageway and chamber of the Pyramid, measuring and collecting data in an attempt to determine how it was built. For the first time, a revolutionary theory argues that the answer may be inside the Pyramid. Architect Jean-Pierre Houdin and Egyptologist Bob Brier use 3-D software to unlock the secret.

Visit the ghostly villages surrounding Chernobyl (abandoned by humans after the 1986 nuclear disaster), travel to remote islands off the coast of Maine to search for abandoned towns that have vanished from view in only a few decades, then head beneath the streets of New York to see how subway tunnels may become watery canals. A visual journey, LIFE AFTER PEOPLE is a thought provoking adventure that combines movie-quality visual effects with insights from experts in the fields of engineering, botany, ecology, biology, geology, climatology, and archaeology to demonstrate how the very landscape of our planet will change in our absence.

Stonehenge was shaped over centuries, but to what purpose? Was it a temple to the sun, or the moon, an astronomical calendar, or a shrine to dead ancestors? Now Stonehenge may be about to give up some of its secrets. For the first time in nearly half a century a new archaeological dig the sacred stone circle. And the men who are leading the excavation are well aware of the significance of this moment.
The film exposes an investigation into a radical theory that Stonehenge, far from being a place of burial as is commonly assumed, was in fact a place of healing. The investigation takes in forensic testing of bones excavated over the past decades and hard-won permission for the first dig in 50 years at the Henge, watched live online by millions of viewers around the world. Does the theory of the healing stones bear up to modern-day forensic science?

Embark on a thrilling journey through time and five continents to the heart of creativity. Fusing social history, politics, science, nature, archaeology and religion, this international landmark series unravels a universal mystery - why the world around us looks like it does. Modern-day mysteries are answered by journeying back to the beginning of civilisation via some of the most amazing man-made creations in the world. In the first episode, one image dominates our contemporary world above all others: the human body. How Art Made the World travels from the modern world of advertising to the temples of classical Greece and the tombs of ancient Egypt to solve the mystery of why humans surround themselves with images of the body that are so unrealistic.

Dr Nigel Spivey explores how art influences life by tracing the development of the image from cave paintings to our modern obsession with images. Dr. Spivey begins his investigation by travelling to the Cave of Altamira near the town of Santillana del Mar in Cantabria, Spain, where in 1879 a young girls exclamation of 'Papa, look, oxen!' to her father, local amateur archaeologist Marcelino Sanz de Sautuola, is explained to have meant that Maria had just become the first modern human to set eyes on the first gallery of prehistoric paintings ever to be discovered.