Click CC for subtitles. In the winter of 2021, K2 remained the last great prize of high-altitude mountaineering: the only 8,000-meter peak never climbed in winter. Icelandic climber John Snorri Sigurjónsson and the legendary Pakistani father-and-son team Ali and Sajid Sadpara arrive determined to claim that historic first, facing temperatures far below zero, hurricane-force winds, exhaustion and a mountain already infamous for killing even the strongest climbers. But the expedition soon becomes more than a battle against nature. Commercial teams, influencer climbers, professional film crews and a fiercely ambitious all-Nepalese team converge on the same slopes, turning the ascent into a tense contest of strategy, reputation and national pride. As the climb unfolds, the documentary exposes the changing culture of modern mountaineering: the pressure of social media, the commercialization of the world’s highest peaks, the unequal recognition historically given to Western climbers, and the determination of Nepali and Pakistani mountaineers to claim achievements in their own names. The race for the summit culminates in triumph for one team and tragedy for others, leaving five climbers dead and forcing survivors to confront questions of ambition, responsibility and what a “first” is really worth. Built from extraordinary footage shot during the expedition and testimony from those who were there, the film transforms one of mountaineering’s last untouched records into a gripping story about ego, class, nationalism, family and the deadly cost of pushing beyond human limits.
From a childhood marked by poverty on the American frontier to the presidency of a nation on the verge of collapse, this three-part historical biography traces how Abraham Lincoln became one of the defining figures in American history. Blending dramatic reconstruction with commentary from historians and political figures, it explores the ambition, empathy, wit and moral conviction that shaped his rise, his belief in democracy and equality, and the immense personal and political pressures that would eventually place him at the center of the struggle over slavery, union and the future of the United States. In the first episode, Lincoln’s journey begins far from power. Growing up in hardship, enduring the death of his mother and receiving little formal education, he develops a fierce determination to rise beyond obscurity. Through hard physical labor, self-education, storytelling and an emerging talent for public speaking, he begins to build the character and political instincts that will define him. His early encounters with slavery, his move into law and politics, and the relationships that shape his ambitions reveal the making of a man who is still searching for his place in the world, but already driven by the conviction that his life must amount to something.
Professor Jerry Brotton reveals that maps are far more than neutral guides to places: they are expressions of the societies that create them and powerful instruments for shaping territory, belief and authority. Beginning with some of the earliest known maps, he traces how cartography evolved from marking land and ownership to serving kings, empires, scientists and governments. From Henry VIII’s coastal surveys and the Cassini family’s scientific breakthroughs to the drawing of modern national borders, the series shows how maps can define who controls land, who belongs where and even how entire peoples understand the world around them. Across the three episodes, presented here together in a single uninterrupted video, the journey moves from ancient and medieval worldviews to imperial expansion and the digital age. Brotton explores religious maps, Aztec symbolism, Victorian attempts to classify societies, the politics behind projections of the globe, and the rise of Google Earth and data-driven mapping. He then follows the mapmakers and explorers who turned distant lands into targets for conquest and profit, from Ptolemy and Columbus to Walter Raleigh and the trading empires that followed. The story ends in the Arctic, where new maps are once again being used to stake claims over oil, gas and minerals, proving that even in the twenty-first century, cartography remains inseparable from power, plunder and possession.
Previously unreleased prison calls, firsthand testimony and archival footage open a disturbing window into the world Charles Manson created around himself. Against the backdrop of the late-1960s counterculture, Manson draws vulnerable and disillusioned young people into a tightly controlled group built on promises of love, freedom and belonging. His manipulation gradually deepens into paranoia, domination and violence, culminating in the 1969 murders committed by members of the Manson Family, including the killings at the home of Sharon Tate, and in Manson’s delusional belief that the crimes could help ignite a racial apocalypse he called “Helter Skelter.” The story then follows the investigation, arrests and extraordinary 1971 trial, where Manson and his followers turn the courtroom into a spectacle and become symbols of a darker side of the era. Recordings of Manson himself are joined by voices from people who lived through the events, including material connected to followers such as Charles “Tex” Watson, Susan Atkins and Leslie Van Houten, revealing how charisma, coercion and group loyalty were transformed into lethal obedience. Presented here with all three episodes combined into a single video, viewers can follow the complete story without interruption, from the formation of the Family to the murders, the trial and the disturbing legacy Manson left behind.
The Housemartins return to Hull during their breakthrough year of 1986 and revisit the places where the band began. Paul Heaton, Stan Cullimore, Norman Cook and Hugh Whitaker talk about forming the group, their sudden success and their determination to remain rooted in ordinary life despite growing fame. The film follows them through Hull, mixes informal conversations with rehearsals and performances, and includes songs such as Happy Hour, Sheep, Think for a Minute and Caravan of Love. The members also speak openly about their socialist views, religion, money and their distrust of the music industry, revealing the ideas behind their deliberately unglamorous image and sharply observant lyrics. Ending with a concert for their home audience, this documentary captures The Housemartins at the moment they were becoming nationally famous while still maintaining the humour, friendship and political convictions that defined the band.
In the final two episodes of Season 2, Ragnar’s hopes of securing land in Wessex collide with King Horik’s hunger for revenge. As the Vikings advance towards King Ecbert’s villa, they walk straight into a carefully prepared Saxon response. The resulting battle is brutal, leaving Rollo gravely wounded and forcing Ragnar to reconsider what victory should really mean. While Horik still dreams of plunder and vengeance, Ragnar begins to see a different future: Farmland for his people, an alliance with Ecbert and the possibility of using Viking strength in the struggle for Mercia. Back in Kattegat, however, the most dangerous battle is no longer being fought with Saxons. Horik becomes convinced that Ragnar has grown too powerful and secretly prepares to destroy him and his entire family. Floki appears to turn against Ragnar, Siggy is drawn into Horik’s plans and every friendship suddenly becomes suspect. But beneath the deception, Ragnar is quietly testing the loyalty of those closest to him. What follows is a tense and violent reckoning in which betrayal is answered with betrayal, old alliances are shattered and Ragnar’s rise reaches a decisive new stage.
As the climb unfolds, the documentary exposes the changing culture of modern mountaineering: the pressure of social media, the commercialization of the world’s highest peaks, the unequal recognition historically given to Western climbers, and the determination of Nepali and Pakistani mountaineers to claim achievements in their own names. The race for the summit culminates in triumph for one team and tragedy for others, leaving five climbers dead and forcing survivors to confront questions of ambition, responsibility and what a “first” is really worth. Built from extraordinary footage shot during the expedition and testimony from those who were there, the film transforms one of mountaineering’s last untouched records into a gripping story about ego, class, nationalism, family and the deadly cost of pushing beyond human limits.