In the final three episodes of the series, the image of elite discipline surrounding the SS is stripped away to reveal a far darker and more disturbing reality. Behind the façade of military excellence lay poorly trained recruits driven not by honor, but by blind ideology and a complete absence of remorse. As their role expands from the battlefield to the brutal control of concentration camps, the narrative exposes how ordinary men became perpetrators of systematic violence, carrying out atrocities with chilling efficiency while maintaining the appearance of normal lives beyond their crimes. These episodes push further into the unsettling contrast between barbarity and everyday existence, showing how members of the SS could participate in unimaginable acts and then return to social settings as if nothing had happened. The story then draws a direct line to the present, confronting the uncomfortable truth that, despite overwhelming historical evidence, remnants of admiration and myth still persist in certain circles. It’s a gripping and unsettling conclusion that forces viewers to question how such distortion of memory can endure—and why it still matters today.
Without words, Ron Fricke shows us the world, with an emphasis not on 'where,' but on 'what's there.' It begins with morning, natural landscapes and people at prayer: volcanoes, water falls, veldts, and forests; several hundred Balinese Hindu men perform kecak, the monkey chant. Indigenous peoples apply body paint; whole villages dance. The film moves to destruction of nature via logging, blasting, and strip mining. Images of poverty, rapid urban life, and factories give way to war, concentration camps, and mass graves. Ancient ruins come into view, and then a sacred river where pilgrims bathe and funeral pyres burn. Prayer and nature return. A monk rings a huge bell; stars wheel across the sky. (Click CC for places description)
The definitive discourse with Noam Chomsky on the defining characteristic of our time - the deliberate concentration of wealth and power in the hands of a select few. Chomsky unpacks the principles that have brought us to the crossroads of historically unprecedented inequality - tracing a half century of policies designed to favour the most wealthy at the expense of the majority. "Requiem for the American Dream" is profoundly personal and thought provoking. Chomsky provides penetrating insight into what may well be the lasting legacy of our time - the death of the middle class, and swan song of functioning democracy. A potent reminder that power ultimately rests in the hands of the governed, "Requiem for the American Dream" is required viewing for all who maintain hope in a shared stake in the future.
This episode explores what can give brains a boost. In America, Angela tries out a new treatment that's proven to help memory and concentration.
In Japan, a remarkable 100-year-old reveals the colourful foods that keep minds more active. Plus Chris discovers the best exercise we can do for our brains. At the cutting-edge of science, discover how injections of young people's blood may help beat dementia.
Researchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps liberated by allied troops. When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums. This eloquent, lucid documentary by André Singer (executive producer of the award-winning The Act of Killing) tells the extraordinary story of the filming of the camps and the fate of Bernstein’s project, using original archive footage and eyewitness testimonies.
Last in series about the Nazi concentration camp looks at the fate of the remaining prisoners and their guards. Uncovers how many survivors faced appalling treatment in their home countries and how many guards escaped justice.
These episodes push further into the unsettling contrast between barbarity and everyday existence, showing how members of the SS could participate in unimaginable acts and then return to social settings as if nothing had happened. The story then draws a direct line to the present, confronting the uncomfortable truth that, despite overwhelming historical evidence, remnants of admiration and myth still persist in certain circles. It’s a gripping and unsettling conclusion that forces viewers to question how such distortion of memory can endure—and why it still matters today.