Documentary AreaSimply the best Documentaries

Director James Cameron returns to the site of the 1912 wreck of the RMS Titanic. With a team of history and marine experts he embarks on an unscripted adventure back to the final grave of 1,517 people. Using two small, purpose-built remotely operated vehicles, we can see inside the Titanic and with the help of CGI, view the ship's original appearance superimposed on the deep-dive images. Throughout the movie, there are re-enactments of events that are discussed that use CGI recreations of the interior of the Titanic. The documentary was named one of the Best 3D movies ever by Rolling Stone.

A young couple embarks on a cross-country journey to document their dream van-life adventure—until everything goes dark. Through social media posts, police bodycam footage, and never-before-seen interviews, this gripping true-crime documentary unravels the heartbreaking disappearance that captivated the world. As the clues begin to surface, so does a chilling portrait of control, isolation, and the desperate search for truth. What really happened in the quiet wilderness—and why did it take the entire internet to help find the answer?
We offer all three episodes of this gripping series together—watch the full story unfold in one unmissable experience.

Embark on a breathtaking journey through time as the cradle of civilization is brought to life like never before. With stunning visuals and immersive storytelling, this documentary follows Iraqi-born writer Jawad Bashara as he returns to his homeland after decades in exile, determined to preserve the rich cultural legacy of ancient Mesopotamia—now under threat from war and destruction.
Guided by cutting-edge archaeology and heartfelt personal reflection, the film explores the wonders of Sumer, Babylon, and Assyria while asking a profound question: how can understanding our ancient past help shape a better future? A visually spectacular and emotionally powerful experience that connects history, identity, and resilience—this is more than a documentary; it’s a rediscovery of who we are.

By cracking the ancient hieroglyphic code, Jean-François Champollion gave words to a thousand-year-old, mysterious civilization - but behind his legendary feat was a mysterious brother who made it all possible. New correspondence discovered between Jean-François Champollion and his brother Jacques-Joseph now allows us to fully understand how a young, self-taught genius was able to make one of the most important discoveries of the 19th century. Without the tireless support and cleverness of his older brother, Jean-François would never have managed to solve this burning, international enigma.
Through animated sequences, using their private correspondence, archives and with the help of experts, this film will go back on this one-in-a lifetime scientific, human and intellectual adventure to celebrate the bicentenary of the decoding of hieroglyphs.

The filmmakers challenge former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers.
Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands.
The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.

Jessie Buckley narrates the extraordinary story of the first transatlantic communications cable. In 16 August 1858, a short message is telegraphed from County Kerry to Newfoundland, 3,000km away: ‘Europe and America are united by telegraph. Glory to God in the highest, on earth peace, good will towards men.’ The Morse code message is conducted along the new underwater transatlantic telegraph cable laid across the bed of the Atlantic Ocean. Sending the same message by ship would have taken at least ten days, but the transmission takes just hours and heralds the dawn of the modern communications age.
The quest is driven by visionaries and pioneers. Among them are Cyrus Field, a wealthy businessman who, despite his immense success, ends his life in poverty; Samuel Morse, inventor of the telegraph and Morse code; Isambard Kingdom Brunel, the British engineer who pushes boundaries and budgets; and Belfast physicist Lord Kelvin, who calculates how to achieve what had hitherto been deemed impossible. Together, their ingenuity and relentless pursuit helps realise one of the great scientific accomplishments of their age for which Valentia, on Ireland’s remote western coast, is ground zero.