Music

Scorsese filmed the Rolling Stones at the Beacon Theatre on October 29 and November 1, 2006, but the performance footage used in the film is all from the second show. The concert footage is preceded by a brief semi-fictionalized introduction about the preparations for the shows, and is intercut with historical news clips and archival interviews with band members. The film takes its title from the song of the same name, featured on the band's 1972 album Exile on Main St. A soundtrack album was released in April 2008

A look at the life of Michael Jackson from his early days at Motown Records to the release of his hit 1979 album, Off the Wall. One morning, a television set broke down in a living room in Gary, Indiana, leaving a large family of children with nothing to do, so they started singing. Soon the family was singing at talent shows and winning trophies. Their first four recorded songs would top the charts, and launch the career of one of the greatest entertainers the world has ever known. Journey from Motown to Off the Wall allows audiences to travel with Michael as he gets his start at Motown, strikes a new path with CBS records, and forges a relationship with legendary producer Quincy Jones. An illuminated portrait emerges of how an earnest, passionate, hard-working boy would become the "King of Pop".

Rock became a vehicle for artistic ideas and theatrical performance. From the pop-art multi-media experiments of Andy Warhol and the Velvet Underground to the sinister gentility of Peter Gabriel's Genesis. We follow Pink Floyd from the fated art school genius of Syd Barrett through the global success of Dark Side of the Moon. The film explores the retro-futurism of Roxy Music and the protean world of David Bowie.

The story of the longest surviving and certainly the loudest genre of rock, heavy metal. With no sign of disappearing, metal has been the most controversial and misunderstood of all rock genres. With Black Sabbath as the undisputed Godfathers, we follow their highs and lows, and, along the journey, meet Deep Purple, Judas Priest, Iron Maiden and Metallica.

Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century.

Above all, 'In Search of Beethoven' addresses the central myth of Beethoven's life and work -- that of the heroic, tormented figure battling to overcome the tragic fate of being struck down by deafness in his prime; a man who searched for his elusive, eternal 'immortal beloved,' yet was never to attain lasting happiness.