Ottoman Sultan Mehmed II wages an epic campaign to take the Byzantine capital of Constantinople. Twenty-three armies have tried to take the legendary city and all have failed. Out of the carnage, one ruler will emerge victorious and shapes the course of history for centuries. For one empire to rise, another must fall. The Ottomans, former Anatolian warlords and nomads who've built a burgeoning empire are the biggest threat to the Romans' 1100-year reign. The death of Ottoman Sultan Murad II in 1451 unleashes a chain of events that will soon bring the Ottomans and Romans to the brink of war. After claiming the Ottoman throne, Mehmed II sends an unmistakable signal to Byzantine emperor Constantine XI.
The film chronicles the life of Quentin Tarantino, from his start at Video Archives up to the releasing of Once Upon a Time in Hollywood. The documentary features interviews from his frequent collaborators of his films. The filmmaker Richard Linklater explores Quentin Tarantino from his trendsetting work on Reservoir Dogs and examines how his films have changed the movie making landscape forever.
Timothy Treadwell's death was as sensational as his life: Having presumed he could live safely among the grizzly bears of the Alaskan wilderness, the outdoorsman and author (Among Grizzlies)--along with his partner, Amie Huguenard--was eventually killed and devoured by one of the very animals to whom he had devoted years of study. In telling this story, Werner Herzog relies considerably on Treadwell's own video footage, shot during his time in the wild. The famed German director takes Treadwell's story into unexpected emotional frontiers and startling landscapes of the mind. Treadwell is an intriguing, infuriating, perhaps even tragic figure. But Herzog himself is equally compelling, and this brilliant film is just one reason why.
Years after he changed the landscape of filmmaking with The Exorcist, filmaker and writer William Friedkin moves from fiction to fact with this documentary. What began as a brief conversation between Friedkin and Father Gabrielle Amorth - the head Exorcist for the Diocese of Rome for over 30 years - as two professionals who knew of each other's work, soon transformed into an once-in-a-lifetime opportunity, as Amorth agreed Friedkin could film an exorcism ceremony. It would be the ninth exorcism for a painfully afflicted woman, and it would be filmed by Friedkin alone, with no other crew allowed, no light other than the natural light in the room and a small digital camera-and-mic unit that could capture the ritual and its revelations. Combining the startling and singular footage from Cristina's exorcism with interviews from priests and psychologists, neurosurgeons and non-believers, Friedkin guides us on a journey into the twilight world between the boundaries of what we know and what we don't.
A boxing match in Brooklyn; life in postwar Bosnia and Herzegovina; the daily routine of a Nigerian midwife; an intimate family moment at home: these scenes and others are woven into Cameraperson, a tapestry of footage collected over the twenty-five-year career of documentary cinematographer Kirsten Johnson. Through a series of episodic juxtapositions, Johnson explores the relationships between image makers and their subjects, the tension between the objectivity and intervention of the camera, and the complex interaction of unfiltered reality and crafted narrative. A hybrid work that combines documentary, autobiography, and ethical inquiry, Cameraperson is both a moving glimpse into one filmmaker's personal journey and a thoughtful examination of what it means to train a camera on the world.
David Lynch takes us on an intimate journey through the formative years of his life. From his idyllic upbringing in small town America to the dark streets of Philadelphia, we follow Lynch as he traces the events that have helped to shape one of cinema's most enigmatic directors. David Lynch the Art Life infuses Lynch's own art, music and early films, shining a light into the dark corners of his unique world, giving audiences a better understanding of the man and the artist. As Lynch states 'I think every time you do something, like a painting or whatever, you go with ideas and sometimes the past can conjure those ideas and color them, even if they're new ideas, the past colors them.' Artist and filmmaker David Lynch discusses his early life and the events that shaped his outlook on art and the creative process.
The Ottomans, former Anatolian warlords and nomads who've built a burgeoning empire are the biggest threat to the Romans' 1100-year reign. The death of Ottoman Sultan Murad II in 1451 unleashes a chain of events that will soon bring the Ottomans and Romans to the brink of war. After claiming the Ottoman throne, Mehmed II sends an unmistakable signal to Byzantine emperor Constantine XI.