Documentary AreaSimply the best Documentaries

Professor Jim Al-Khalili tells the electrifying story of our quest to master nature's most mysterious force - electricity. Until fairly recently, electricity was seen as a magical power, but it is now the lifeblood of the modern world and underpins every aspect of our technological advancements.Without electricity, we would be lost. This series tells of dazzling leaps of imagination and extraordinary experiments - a story of maverick geniuses who used electricity to light our cities, to communicate across the seas and through the air, to create modern industry and to give us the digital revolution. Episode one tells the story of the very first 'natural philosophers' who started to unlock the mysteries of electricity. They studied its curious link to life, built strange and powerful instruments to create it and even tamed lightning itself. It was these men who truly laid the foundations of the modern world. Electricity was without doubt a fantastical wonder. This is the story about what happened when the first real concerted effort was made to understand electricity; how we learned to create and store it, before finally creating something that enabled us to make it at will - the battery.

Since 2010, Artificial Intelligence is revolutionized by deep learning, neural networks that discern complex patterns in huge quantities of data and react in real time. A.I. is a primal force, like fire. The same fire that warms us can incinerate our homes; A.I. could enslave mankind -- or, join us in a grand alliance to reach the stars.

Stonehenge is an icon of prehistoric British culture, an enigma that has seduced archaeologists and tourists for centuries. Why is it here? What is its significance? And which forces inspired its creators? Now a group of international archaeologists led by the University of Birmingham and the Ludwig Boltzman Institute in Vienna believe that a new state-of-the-art approach is the key to unlocking Stonehenge's secrets. For four years the team have surveyed and mapped every monument, both visible and invisible, across ten square kilometres of the sacred landscape to create the most complete digital picture of Stonehenge and the surrounding area over millennia. Known monuments have yielded more data than ever before, revealing hidden structures within, and new finds are revolutionising the very timeline of Stonehenge. The film takes the viewer on a prehistoric journey from 8000 BC to 2500 BC as the scientists uncover the very origins of Stonehenge, learning why this landscape is sacred, preserved and has been revered by following generations. Evidence of war and conflict, as well as the cultivation of ideas and industry, is explored to reveal complex communities with international trade links as far-reaching as Spain and central Europe.

Morgan Freeman continues to challenge audiences to think about daring topics in the last season of Through the Wormhole. In the part 1, new research is beginning to reveal a hidden force in the universe - one that penetrates space with trillions of invisible connections, instantly linking every place in our world and joining our future with our past. Is the Force with us?

The film captures the dynamics and drama of disaster response, giving the audience an insiders view of a truly remarkable force for good in a world that is increasingly in need of it. From the individual civilian at risk for their life adrift at sea to a massive natural disaster threatening thousands of lives, there is a mechanism and resources in place to help save lives. Oddly, the instrument of hostility, the military, is even more often the instrument for saving civilian lives on both a smaller and larger scale. Disaster Response commands are in place to deploy appropriate resources to trouble spots at a moment's notice, often requiring split second decisions with many lives at stake.

It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker.