The digital possibilities of social control in China have led to an unprecedented level of state surveillance. Through self-censorship or spying on neighbors, surveillance covers not only those perceived as a threat by the government, but increasingly and ever more totally the ordinary citizen: whether buying flowers, taking your child to school, or taking out the trash at night. Big Data and digital technologies are already being used as weapons to curtail freedoms. Step by step, the social and political behavior of the Chinese is changing.
The documentary explores, in intimate detail, digital social control in China by following the experiences of two families and a journalist. Film-maker Jialing Zhang gives an exclusive and previously impossible intimate insight into the interior of China and tells a deeply disturbing story of how the state uses technology to control its citizens as well as propaganda to convince its people to trust it. She tells a deeply disturbing story about technology, (self-) censorship and abuse of power.

‘Love on the Spectrum’ captivates with its fresh and deeply human perspective on the complexities of romantic relationships. This reality show, following individuals on the autism spectrum as they navigate the world of dating, is a celebration of diversity and inclusiveness, offering a unique window into dating experiences seldom portrayed in mainstream media. The second season delves deeper into the personal stories of its participants, providing a narrative rich in emotions, challenges, and victories. The series stands out for its genuine, unscripted approach, breaking down prejudices and initiating important dialogues about diversity in relationships.
In the first episode, James and Dani continue their search for love. David plans a sweet surprise for Abbey. Newbie Connor brings an open mind to his first speed-dating event.

The documentary, an own production, immerses the viewer in a journey that blends science and philosophy, questioning the nature of time and unveiling a 4-dimensional universe, where space and time are integrated. We are invited to consider a universe in which past, present, and future coexist, suggesting that our linear perception of time might be more of a mental construction than a physical reality. The narrative progresses by exploring how quantum particles exist in states of probability until they are observed, at which point they acquire defined properties. Then, the provocative hypothesis is presented that observation also fixes the temporal dimension of the particles.
The sensation of the flow of time and the distinction between past, present, and future are introduced as mental constructions, arising from the human brain's limited capacity to process the complexity of reality. It is then proposed that the mind, by observing itself, fixes itself in the temporal dimension, thus creating the illusion of the present. Finally, the impact of these theories on free will is discussed.
This documentary challenges viewers to look beyond their everyday perceptions and consider the possibility that reality is much more complex and fascinating than our immediate experiences suggest. It is an invitation to explore the limits of science, philosophy, and the mind itself in search of answers to some of the deepest questions of existence.
More information on https://www.javier-serrano.blog/Ciencia/representacion_tridimensional_del_universo.php

On January 25th, 1985, dozens of the era's most popular musicians gathered in Los Angeles to record a charity single for African famine relief. Setting egos aside, they collaborated on a song that would make history. The documentary transports viewers back to the recording of ‘We Are the World,’ capturing a seminal moment in music with gripping detail and emotion. Through an intimate lens, the film chronicles the night when some of the biggest names in the music industry united for a cause greater than themselves.
With exclusive behind-the-scenes footage, candid interviews with the artists involved, and insights from music historians, the documentary reveals the challenges, camaraderie, and sheer talent that converged to make the recording session an unparalleled event in pop culture, making it a poignant reminder of the power of art to effect change.

Stanley Kubrick's mark on the legacy of cinema can never be measured. He was a giant in his field, his great works resembling pristine pieces of art, studied by students and masters alike, all searching for answers their maker was notoriously reticent to give. While he's among the most scrutinized filmmakers that ever lived, the chance to hear Kubrick’s own words was a rarity—until now.
Unspooling exclusive new recordings of detailed interviews with the mythic director spanning 30 years that ruminate on his philosophies, documentarian Gregory Monro weaves a tapestry of archival footage with the rhythm and care of a consummate historian relishing in his discoveries.

With the Doomsday Clock the closest it's ever been to midnight, Jane Corbin investigates the proliferation of nuclear weapons across the globe. She visits Los Alamos, home to the United States’ nuclear weapons development facility and the historic home of Oppenheimer’s Manhattan Project.
In Scotland, she reveals the strategy behind Britain’s nuclear deterrent, and speaks to campaigners in Suffolk fighting against US weapons they fear will be based on UK soil. Jane also discovers how many of the global agreements and safeguards that have constrained the spread of nuclear weapons since the 1970s are breaking down.
This is a story told by the scientists, investigators and diplomats who set the clock and have fought to ensure that the ultimate deterrent has not been used in over 70 years.