In an enthralling documentary, Dan Snow and archaeologist Raksha Dave delve into the catastrophic impact of the Black Death on Britain 700 years ago, a pandemic that extinguished around half of the population, or three million people. The duo embarks on a journey to trace the origins and merciless spread of the plague, starting from its arrival on Britain's South coast in June 1348, through the bustling trade routes that brought the disease to Melcombe Regis, Dorset. Their investigation takes them to various hotspots of the outbreak, including the Old Operating Theatre in London and Wildwood Animal Sanctuary in Kent, where they explore the role of rats in dispersing the bubonic plague. Through dramatic reconstructions and visits to places like Nottingham University's biomedical laboratories, they uncover the rapid spread and deadly impact of the plague, offering a month-by-month account of how it ravaged the country, decimating cities, towns, and villages alike.
The documentary not only showcases the horrific symptoms and desperate attempts at cures through brutal medical practices of the time but also leverages cutting-edge research to explain why the Black Death remains the deadliest pandemic in history. The personal stories of victims, from princes to paupers, are brought to light, revealing the indiscriminate nature of the disease. Dan's visit to Canterbury Cathedral and Raksha's investigation into the recent discovery of mass graves beneath a tranquil London square underline the widespread desperation and devastation. Their journey through the history of the Black Death, culminating in the discovery of its indiscriminate toll and the unveiling of mass graves in London, not only sheds light on the darkest chapters of British history but also ignites a profound understanding of the tragedy, making a compelling case for why this documentary is a must-watch for anyone interested in the profound impacts of pandemics on human society.

The digital possibilities of social control in China have led to an unprecedented level of state surveillance. Through self-censorship or spying on neighbors, surveillance covers not only those perceived as a threat by the government, but increasingly and ever more totally the ordinary citizen: whether buying flowers, taking your child to school, or taking out the trash at night. Big Data and digital technologies are already being used as weapons to curtail freedoms. Step by step, the social and political behavior of the Chinese is changing.
The documentary explores, in intimate detail, digital social control in China by following the experiences of two families and a journalist. Film-maker Jialing Zhang gives an exclusive and previously impossible intimate insight into the interior of China and tells a deeply disturbing story of how the state uses technology to control its citizens as well as propaganda to convince its people to trust it. She tells a deeply disturbing story about technology, (self-) censorship and abuse of power.

‘Love on the Spectrum’ captivates with its fresh and deeply human perspective on the complexities of romantic relationships. This reality show, following individuals on the autism spectrum as they navigate the world of dating, is a celebration of diversity and inclusiveness, offering a unique window into dating experiences seldom portrayed in mainstream media. The second season delves deeper into the personal stories of its participants, providing a narrative rich in emotions, challenges, and victories. The series stands out for its genuine, unscripted approach, breaking down prejudices and initiating important dialogues about diversity in relationships.
In the first episode, James and Dani continue their search for love. David plans a sweet surprise for Abbey. Newbie Connor brings an open mind to his first speed-dating event.

On January 25th, 1985, dozens of the era's most popular musicians gathered in Los Angeles to record a charity single for African famine relief. Setting egos aside, they collaborated on a song that would make history. The documentary transports viewers back to the recording of ‘We Are the World,’ capturing a seminal moment in music with gripping detail and emotion. Through an intimate lens, the film chronicles the night when some of the biggest names in the music industry united for a cause greater than themselves.
With exclusive behind-the-scenes footage, candid interviews with the artists involved, and insights from music historians, the documentary reveals the challenges, camaraderie, and sheer talent that converged to make the recording session an unparalleled event in pop culture, making it a poignant reminder of the power of art to effect change.

Stanley Kubrick's mark on the legacy of cinema can never be measured. He was a giant in his field, his great works resembling pristine pieces of art, studied by students and masters alike, all searching for answers their maker was notoriously reticent to give. While he's among the most scrutinized filmmakers that ever lived, the chance to hear Kubrick’s own words was a rarity—until now.
Unspooling exclusive new recordings of detailed interviews with the mythic director spanning 30 years that ruminate on his philosophies, documentarian Gregory Monro weaves a tapestry of archival footage with the rhythm and care of a consummate historian relishing in his discoveries.

With the Doomsday Clock the closest it's ever been to midnight, Jane Corbin investigates the proliferation of nuclear weapons across the globe. She visits Los Alamos, home to the United States’ nuclear weapons development facility and the historic home of Oppenheimer’s Manhattan Project.
In Scotland, she reveals the strategy behind Britain’s nuclear deterrent, and speaks to campaigners in Suffolk fighting against US weapons they fear will be based on UK soil. Jane also discovers how many of the global agreements and safeguards that have constrained the spread of nuclear weapons since the 1970s are breaking down.
This is a story told by the scientists, investigators and diplomats who set the clock and have fought to ensure that the ultimate deterrent has not been used in over 70 years.