Of the Seven Wonders of the Ancient World, the Hanging Garden of Babylon is the most elusive of these constructions of classical antiquity. While traces have been found of the Great Pyramid of Gaza, the Temple of Artemis at Ephesus, the Statue of Zeus at Olympia, the Mausoleum of Halicarnassus, the Colossus of Rhodes and the Lighthouse of Alexandria, centuries of digging have turned up nothing about the lost gardens of Babylon – until now. Why, in the nearly 3,000 years since the gardens were presumably built, has no archeological evidence ever been found to support their existence? Is the Hanging Garden of Babylon a myth or a mystery to be solved? Travel with Dr. Stephanie Dalley of Oxford University’s Oriental Institute and author of The Mystery of the Hanging Garden of Babylon, to one of the most dangerous places on earth, as she sets out to answer these questions and prove not only that the gardens did exist, but also identify where they most likely were located, describe what they looked like and explain how they were constructed.
Salvador Dali's strange crucifixion is often called the greatest religious painting of the 20th century. Yet its artist was a notorious blasphemer some of whose work had outraged the Catholic Church. The Christ of St John of the Cross by Salvador Dali is the first of two extraordinary crucifixions painted by Dali in the early 1950s. The painting is based on a 'cosmic dream' Dali is said to have had, in which the nucleus of the atom was a figure of Christ himself. The painting offers a surrealist view of the crucifixion of Christ, and is based on a drawing by the 16th century Spanish friar Saint John of the Cross. But Dali's vision was somewhat unique, using an unusual artistic perspective in which Christ is seen from above. His Christ of St. John of The Cross was inspired by a weird mix of Spanish mysticism and nuclear physics, with his Christ being modelled by a Hollywood stuntman. It's also a masterpiece of painting technique.
A look at two missions attempting one of the most difficult feats of space exploration - to collect a rock from another world. The film checks in on the US and Japanese attempts to bring a piece of an asteroid back to Earth. The missions have taken decades of planning, but the results will be worth it. We find out how studying these space rocks can teach us about the origins of our solar system and may one day help save Earth from a catastrophic collision.
This award-winning series, Private Life of a Masterpiece, reveals the full and fascinating stories behind famous works of art, not just how they came to be created, but also how they influenced others and came to have a life of their own in the modern world. The works of art featured here are both instantly familiar and profoundly mysterious. Revolutionary in their conception, and iconic years after their execution, they each have their own compelling stories. For behind the beautiful canvases and sculptures are tales of political revolution, wartime escapes, massive ego clashes, social scandal, financial wrangling and shocking violence. In this fascinating series key works of art are investigated and the intricate details of their lives revealed - the history, contemporary reactions, and legacies of each are illustrated. A Sunday Afternoon on the Island of La Grande Jatte is a popular masterpiece and yet an enduring enigma. It seems to show a quiet scene in a Paris park but there are hints at the demi-monde, if you know where to look. The most remarkable aspect of this vast canvas however remains Seurat's technique his revolutionary pointillism.
Mathematician Dr Hannah Fry explores the mystery of maths. It underpins so much of our modern world that it's hard to imagine life without its technological advances, but where exactly does maths come from? Is it invented like a language or is it something discovered and part of the fabric of the universe? It's a question that some of the most eminent mathematical minds have been wrestling with. To investigate this question, Hannah goes head first down the fastest zip wire in the world to learn more about Newton's law of gravity, she paraglides to understand where the theory of maths and its practice application collide, and she travels to infinity and beyond to discover that some infinities are bigger than others. In this episode, Hannah goes back to the time of the ancient Greeks to find out why they were so fascinated by the connection between beautiful music and maths. The patterns our ancestors found in music are all around us, from the way a sunflower stores its seeds to the number of petals in a flower. Even the shapes of some of the smallest structures in nature, such as viruses, seem to follow the rules of maths. All strong evidence for maths being discovered. But there are those who claim maths is all in our heads and something we invented. To find out if this is true, Hannah has her brain scanned. It turns out there is a place in all our brains where we do maths, but that doesn't prove its invented. Experiments with infants, who have never had a maths lesson in their lives, suggests we all come hardwired to do maths. Far from being a creation of the human mind, this is evidence for maths being something we discover. Then along comes the invention of zero to help make counting more convenient and the creation of imaginary numbers, and the balance is tilted in the direction of maths being something we invented. The question of whether maths is invented or discovered just got a whole lot more difficult to answer
The Hayabusa2 spacecraft has just completed one of the most intricate procedures in space exploration. The first mission to deliver rovers onto an asteroid has now descended to its surface for a sample, before returning back to Earth in 2020.
Why, in the nearly 3,000 years since the gardens were presumably built, has no archeological evidence ever been found to support their existence? Is the Hanging Garden of Babylon a myth or a mystery to be solved?
Travel with Dr. Stephanie Dalley of Oxford University’s Oriental Institute and author of The Mystery of the Hanging Garden of Babylon, to one of the most dangerous places on earth, as she sets out to answer these questions and prove not only that the gardens did exist, but also identify where they most likely were located, describe what they looked like and explain how they were constructed.