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Go behind the veil of the ancient Greek belief in life after death to explore the myth of their most feared god - Hades - and those mortals who tried to cross his path. It is a chilling collection of tales about Hades and the underworld bearing his name, with eerie links to real world curses, ghosts and secret cults.

The episode begins with Tyson describing how pattern recognition manifested in early civilization as using astronomy and astrology to predict the passing of the seasons, including how the passage of a comet was often taken as an omen. Tyson continues to explain that the origin of comets only became known in the 20th century due to the work of Jan Oort and his hypothesis of the Oort cloud. Tyson then continues to relate the collaboration between Edmond Halley and Isaac Newton in the last part of the 17th century in Cambridge. The collaboration would result in the publication of Philosophiæ Naturalis Principia Mathematica, the first major work to describe the laws of physics in mathematical terms, despite objections and claims of plagiarism from Robert Hooke and financial difficulties of the Royal Society of London. Tyson explains how this work challenged the prevailing notion that God had planned out the heavens, but would end up influencing many factors of modern life, including space flight. Tyson further describes Halley's contributions including determining Earth's distance to the sun, the motion of stars and predicting the orbit of then-unnamed Halley's Comet using Newton's laws. Tyson contrasts these scientific approaches to understanding the galaxy compared to what earlier civilizations had done, and considers this advancement as mankind's first steps into exploring the universe. The episode ends with an animation of the Milky Way and Andromeda galaxies' merging based on the principles of Newton's laws.

From lush cloud forests to bare summits that take your breath away, the higher you climb the tougher life gets on a mountain. Human Planet explores the extraordinary ways in which people survive at extreme altitudes where nature becomes utterly unforgiving. In the Altai Mountains in Western Mongolia the vast open spaces make hunting for animals almost impossible, so the locals have forged an astonishing partnership with golden eagles which can do the hunting for them. On the precipitous cliffs of the Simien Mountains of Ethiopia we join a young boy locked in a dramatic battle with fearsome gelada monkeys which are hell-bent on raiding his family's meagre grain harvest. In the Himalayan state of Nepal - the roof of the world - we witness a rarely seen ceremony: a sky burial. In a land where there is little wood to burn for cremation, and where burying the dead is virtually impossible, the dead are fed to vultures in the ultimate reverence of nature.

The Basilosaurus, the first of the large whale species, is not a harmless plankton eater but a fearsome high speed hunter. And most frightening of all is the Megalodon, a gargantuan ancestor of the great white that makes its modern day relative look like a tuna.

The French army stops the German advance at the battle of the Marne, while the Germans halt the Russians at Tannenberg on the eastern front. In France, the warring parties dig themselves in for 4 years in the trenches. Soldiers from the colonies come lend a hand to their colonizers and the war becomes global.

What if aliens landed on Earth? Much of science fiction explores the moment of first contact – what will people do when the aliens land? From H. G. Wells’ pioneering The War of the Worlds to Independence Day, Men in Black, and District 9, Invasion deals with our fears of alien invasions of earth. David Tennant explains the appeal of Doctor Who’s Daleks and Cybermen while John Carpenter and Chris Carter explore the rich appeal of the paranoia fuelled by hidden aliens with The Thing and The X-Files. It also asks, what if the monsters were our own creation? With the aid of rarely seen animation tests, Phil Tippett takes us behind the scenes in the creation of the dinosaurs of Jurassic Park. But not all invasions are hostile. Peter Coyote and Richard Dreyfuss discuss the creation of Spielberg’s spellbinding classics E.T. the Extra-Terrestrial and Close Encounters of the Third Kind. There is more than one kind of invasion.