The film is focused on and celebrating the radical changes in postwar Britain under the Labour government of Clement Attlee, which came to power in 1945. Relying primarily on archive footage and interviews, and without a narrative voiceover, the documentary recounts the endemic poverty in prewar Britain, the sense of optimism that followed victory in World War II and the subsequent expansion of the welfare state, founding of the National Health Service and nationalisation of significant parts of the UK's economy. The film documents the extent to which these achievements, as the filmmaker Ken Loach sees them, have since been subject to attack in the decades that followed, particularly under the Conservative governments of Margaret Thatcher in the 1980s
Aims to establish itself as the defining film of the electronic music genre. Through an artfully crafted narrative and stunning visual techniques, the film delves into the highly popular world of electronic dance music, providing backdoor access to a widely misunderstood, self-driven and well-insulated industry on its way to global domination. The narrative leads with the legacy of Carl Cox and following with newcomer, Martin Garrix, as the film explores the parallels between Cox's undeniable influence and hand in the evolution of dance music and Garrix's formation of mainstream genres and global fame.
The definitive documentary about an outside-the-box thinker with extraordinary talent whose boundary-shattering music continues to impact and influence people around the world. This smart, passionate, thought-provoking and uplifting documentary is for anyone who appreciates the power of music to entertain, inspire and transform. the film is produced with the full participation of the Coltrane family and the support of the record labels that collectively own the Coltrane catalog. The film-maker John Scheinfeld brings his strong story-telling skills to the creation of a rich, textured and compelling narrative that takes the audience to unexpected places. Set against the social, political and cultural landscape of the times, 'Chasing Trane' brings John Coltrane to life as a fully dimensional being, inviting the audience to engage with Coltrane the man.
Join a team of local archaeologists as they excavate never before explored passageways, shafts, and tombs, while piecing together the secrets of one of the most jaw-dropping, exciting, and important Ancient Egyptian discoveries in decades. News of the tomb discovery has gone around the world and it has been heralded as the most significant find in almost fifty years. The condition of the tomb is remarkable - but the real excitement lies in what is to come. The archaeologists hope they are going to unearth the possessions, grave goods, and mummies of the high-priest and his family - and with that information hoping to transform our understanding of this period of Old Kingdom history.
We face one of the greatest challenges in the history of humanity, to eliminate the fuels that have driven progress and technology for over a century, while our thirst for energy only grows. The sun is the biggest source of energy in the solar system. It's like a nuclear reactor in the sky, and it provides endless power. If we can harvest just fractions of this, it can power all our consumption. Innovators are searching for new ways to capture more of the sun’s power, and make it available through the night, everywhere.
Agnes Varda, one of the leading lights of France's honored French New Wave cinema era, and professional photographer and muralist, J.R., partake on a special art project. Together, they travel around France in a special box truck equipped as a portable photo booth and traveling printing facility as they take photographs of people around the country. With that inspiration, they also create special colossal mural pictures of individuals, communities and places they want to honor and celebrate. Along the way, the old cinematic veteran and the young artistic idealist enjoy an odd friendship as they chat and explore their views on the world as only they can.
The film documents the extent to which these achievements, as the filmmaker Ken Loach sees them, have since been subject to attack in the decades that followed, particularly under the Conservative governments of Margaret Thatcher in the 1980s