Over the course of three nights at Hollywood's Pantages Theater in December 1983, filmmaker Jonathan Demme joined creative forces with Jordan Cronenweth and Talking Heads... and miracles occurred. Following a staging concept by singer-guitarist David Byrne, this euphoric concert film transcends that all-too-limited genre to become the greatest film of its kind. A guaranteed cure for anyone's blues, it's a celebration of music that never grows old, fueled by the polyrhythmic pop-funk precision that was a Talking Heads trademark, and lit from within by the geeky supernova that is David Byrne. This circus of musical pleasure defies the futility of reductive description; it begs to be experienced, felt in the heart, head, and bones, and held there the way we hold on to cherished memories. On those three nights in December 1983, Talking Heads gave love, life, and joy in generous amounts that years cannot erode, and Demme captured this act of creative goodwill on film with minimalist artistic perfection. Stop Making Sense is an invitation to pleasure that will never wear out its welcome.
The film examines the profound claim that most, if not all, of the degenerative diseases that afflict us can be controlled, or even reversed, by rejecting our present menu of animal-based and processed foods. Despite the most advanced medical technology in the world, we are sicker than ever by nearly every measure. Cases of diabetes are exploding, especially amongst our younger population. About half of us are taking at least one prescription drug and major medical operations have become routine. Heart disease, cancer and stroke are the country's three leading causes of death, even though billions are spent each year to 'battle' these very conditions. Millions suffer from a host of other degenerative diseases. Could it be there's a single solution to all of these problems?
This documentary chronicles the triumphs and hurdles of brothers Barry, Maurice and Robin Gibb, otherwise known as the Bee Gees. The iconic trio, who found early fame in the 1960s, went on to write over 1,000 songs, including twenty #1 hits throughout their storied career. The film follows the Bee Gee’s meteoric rise as they rode the highs of fame and fortune, negotiated the vagaries of the ever-shifting music business and navigated the complexities of working so intimately alongside family. The story takes us from their childhood in 1950s Australia to the artistic crucible of 1960s London and to the sundrenched coast of Miami, Florida. The band created a distinct sound with their three-part harmonizing, their melodic voices forming a new kind of instrument.
Experience the evolving genius of rock icon David Bowie in this documentary that chronicles the last five years of his life. The film features never-before-seen footage of Bowie as well as conversations with the musicians, producers, and music video directors who worked with him on his final tour back in the early 2000s (when he had a heart attack that compelled him to turn away from live performances); the Man Who Fell to Earth–inspired musical Lazarus; and his final two albums, 2013’s The Next Day and Blackstar, which was released two days before Bowie died of cancer.
Even 2,000 years after his death, General Hannibal's battle strategies are still studied today. But of all his military feats, perhaps his greatest was leading his massive Carthaginian army of men and three-dozen elephants across the Alps and into the heartland of Rome in 218 B.C. Until now, the route they took has been a matter of dispute, but thanks to modern-day technology, geomorphologist Bill Mahaney and microbiologist Chris Allen believe they've accurately traced this ancient journey.
The Speed Sisters are the first all-woman race car driving team in the Middle East. Grabbing headlines and turning heads at improvised tracks across the West Bank, these five women have sped their way into the heart of the gritty, male-dominated Palestinian street car-racing scene. Weaving together their lives on and off the track, the film takes you on a surprising journey into the drive to go further and faster than anyone thought you could.
This circus of musical pleasure defies the futility of reductive description; it begs to be experienced, felt in the heart, head, and bones, and held there the way we hold on to cherished memories. On those three nights in December 1983, Talking Heads gave love, life, and joy in generous amounts that years cannot erode, and Demme captured this act of creative goodwill on film with minimalist artistic perfection. Stop Making Sense is an invitation to pleasure that will never wear out its welcome.