Documentary AreaSimply the best Documentaries

Painted over five centuries ago, Filippo Lippi's nativity is like none other: it shows the birth of Christ in a dark, wooded wilderness. There are no shepherds, kings, ox, ass – there is no Joseph. Its beauty inspired Michelangelo, Leonardo da Vinci and Botticelli. But it also conceals a deeply personal story. It was painted for Cosimo de Medici, a wealthy banker who feared that his money was dragging him straight to hell. The artist's life was equally surprising. One of the most celebrated painters of his day, Filippo Lippi was also a Carmelite friar, but he was no stranger to the temptations of the flesh, to which he frequently yielded. Shortly before painting his Adoration, he caused uproar by seducing a twenty year-old nun. His paintings rejoice not only in divine beauty, but in the beauty of women. In later times, the Adoration's history was interwoven with that of rulers and dictators. It became a bargaining chip after Napoleon's allies seized twenty merchant ships. And in the 20th century, it was hidden by the Nazis in a potassium mine, where specialist american officers, known as Monuments Men, stumbled upon it. they were now told to get it ready to be shipped out. In an unprecedented turn of events they refused. This is the only known case in the whole of the Second World War of American officers refusing an order. It was sent to the National Gallery of Art, but in 1949 Lippi's Adoration was returned to Germany.

The second episode looks at the challenges of hunting in the Arctic, the most seasonal place on Earth. To a predator, seasonal change is a problem. It means that all the parameters of the hunt - the conditions, the strategies, the prey - change too. The only option for the Arctic's top predators, the wolf, the Arctic fox and the polar bear, is to continually adapt to their changing world, exploiting the good times and enduring the bad.

(Click CC for English subtitles) Four Finnish cave divers face their worst nightmare when two of their friends drown deep inside an underwater cave in Norway. When the official recovery operation is called off by the Norwegian and British authorities after being deemed too risky, the friends set out on a secret mission to retrieve the bodies themselves. "Diving into the Unknown" isn’t just the dramatic story of a life-threatening mission. It is also a story about unconditional friendship that truly runs deep. While each member of the team has years of experience exploring dangerous deep-sea caves, together they are about to face the biggest challenge of their lives. To make it out alive, they will need to be able to rely on each other every second of the way. And the physical demands of this operation will pale in comparison to the psychological toll it will take on everyone involved. With footage from the actual accident and multiple cameras both above water and deep below the surface, this film follows the breathtaking recovery mission from beginning to end.

Roses are red, violets are blue but according to the latest understanding these colours are really an illusion. One that you create yourself. Horizon reveals a surprising truth about how we all see the world. You may think a rose is red, the sky is blue and the grass is green, but it now seems that the colours you see may not always be the same as the colours I see. Your age, sex and even mood can affect how you experience colours. Scientists have unlocked the hidden power that colours can have over your life - how red can make you a winner, how blue makes time speed up. Watch an experiment where for people in a blue pod, a minute lasts 11 seconds shorter.

In this second episode we travel from January to the March equinox. Kate Humble gets closer to the Sun than she has ever been before, whilst Helen Czerski visits a place that gets some of the biggest and fastest snowstorms on Earth.

Scorsese filmed the Rolling Stones at the Beacon Theatre on October 29 and November 1, 2006, but the performance footage used in the film is all from the second show. The concert footage is preceded by a brief semi-fictionalized introduction about the preparations for the shows, and is intercut with historical news clips and archival interviews with band members. The film takes its title from the song of the same name, featured on the band's 1972 album Exile on Main St. A soundtrack album was released in April 2008