Over the course of three nights at Hollywood's Pantages Theater in December 1983, filmmaker Jonathan Demme joined creative forces with Jordan Cronenweth and Talking Heads... and miracles occurred. Following a staging concept by singer-guitarist David Byrne, this euphoric concert film transcends that all-too-limited genre to become the greatest film of its kind. A guaranteed cure for anyone's blues, it's a celebration of music that never grows old, fueled by the polyrhythmic pop-funk precision that was a Talking Heads trademark, and lit from within by the geeky supernova that is David Byrne. This circus of musical pleasure defies the futility of reductive description; it begs to be experienced, felt in the heart, head, and bones, and held there the way we hold on to cherished memories. On those three nights in December 1983, Talking Heads gave love, life, and joy in generous amounts that years cannot erode, and Demme captured this act of creative goodwill on film with minimalist artistic perfection. Stop Making Sense is an invitation to pleasure that will never wear out its welcome.
The search for extraterrestrial life is an age-old quest. But recent breakthroughs make today an era like no other in the history of astronomy. From the exhilarating probing of our own solar system and the Kepler mission’s astounding discovery of thousands of extrasolar planets, to the next-generation telescopes under development, the prospects for finding life beyond Earth have never been stronger. Still, daunting hurdles remain. How can we study anything light years away, let alone a little planet? In the vast universe, where should we even start to look? Is our failure to hear any other voices in the galaxy a sign that we are special? Join leading explorers now searching the galaxy for life and intelligence on other planets—and asks, if we do find other life in the universe... what would that mean?
Explore the hottest area of bioscience, genomics with stunning live image, quality CGI, the forefront research, and real human stories. Previously it was thought that only 2% of our DNA is meaningful and the remaining 98% is non-coding 'junk'. But today we are beginning to know how the junk part of our DNA works to decide our personal characteristics and tendencies.
Filmed across six continents, this docuseries uses cutting-edge camera technology to capture animal's nocturnal lives revealing new behaviours filmed in full color like never before. In the first episode, we will see how after dark on Kenya's Maasai Mara grasslands, a lioness won't rest until she finds the young cubs she's lost.
Five times, the Earth has faced apocalyptic events. Cataclysms that have swept away all life forms, or almost. Each time, a handful of species has survived, establishing a new world. What did these prehistoric worlds look like? What catastrophes led to their disappearance? How did our distant ancestors manage to survive the five mass extinctions that the Earth has suffered, finally giving rise to the world we know today? Combining CGI of ancient animal and plant life, VFX and filming, 'Prehistoric Worlds' looks back at the five mass extinctions of life on Earth that allowed the advent of the human race. On the brink of a sixth mass extinction that the scientific community considers imminent – this time caused by mankind – this film gives us an interesting and powerful look at Man's existence on the scale of the history of our planet.
In the fall of 2016, an army of over 100,000 Iraqi soldiers and militiamen mobilize to liberate Mosul, Iraq's second largest city, from the clutches of the Islamic State. Ali Mula, an Iraqi journalist, joins this army of uneasy allies--including Sunnis, Shiites, Christians and Kurds--to find out if they can put aside their sectarian differences and finally free their country from the scourge of ISIS. Along the way to Mosul, Ali encounters an unforgettable group of characters including a Sunni tribal leader who calls himself 'the Crocodile', a female militia leader avenging the death of her husband, a canny, Iranian-backed militia leader, a lawyer-turned-warrior, an elite band of ISIS killers, and refugees who survived the brutality of ISIS occupation. As he nears the end of his journey, Ali meets face-to-face with a die-hard ISIS prisoner who reveals the truth behind his nefarious organization.
This circus of musical pleasure defies the futility of reductive description; it begs to be experienced, felt in the heart, head, and bones, and held there the way we hold on to cherished memories. On those three nights in December 1983, Talking Heads gave love, life, and joy in generous amounts that years cannot erode, and Demme captured this act of creative goodwill on film with minimalist artistic perfection. Stop Making Sense is an invitation to pleasure that will never wear out its welcome.