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The Fourth Phase

   2016    Culture
Iconic snowboarder Travis Rice and friends embark on a journey of 16,000 miles around the North Pacific in search of unchartered snowboarding territory. As Rice and the crew experience the highs and lows of a journey unlike any previously attempted, cutting-edge cinematography captures some of the world's most remote environments bringing breathtaking scenery and thrilling action to viewers worldwide.

New Beginnings

   2022    Culture
The series 'All or Nothing: Arsenal' shows the behind the curtain during a crucial season at one of the world's biggest football clubs, as Arsenal focus their efforts on challenging for domestic success and returning to elite European competition.
In the first episode, it's the start of a pivotal season for Arsenal Football Club and pressure is mounting on manager Mikel Arteta, to get the club back into the top 4 in the Premier League. Despite a string of new signings over the summer, the team suffer three defeats in a row, leaving them bottom of the table. Expectations are then high as the squad face Norwich City at the Emirates.
Series: All or Nothing: Arsenal

Girl in the Picture

   2022    Culture
A young mother's mysterious death and her son's subsequent kidnapping blow open a decades-long mystery about the woman's true identity and the murderous federal fugitive at the center of it all.
It's late at night in Oklahoma City, in April of 1990. Two or three guys are in a truck driving along the road and they see some kind of debris. And then they see off to the side, there's a body. It appears to be a young woman, a blonde-haired woman and they call an ambulance. She's rushed to the hospital, and her husband, Clarence, eventually shows up. He says her name is Tonya Hughes, that she's a stripper in Tulsa, and that they have a young son named Michael. And he's much older and he's just kind of this weird guy. So, the doctors, as they continue to examine her, they see old bruises and old injuries. There's something wrong with this picture. Ultimately, she passes away. The girls Tonya danced with want to find her family. So they call this woman and they tell her that her daughter died. And she says, 'What are you talking about? My daughter died 20 years ago, she was only 18 months old.' They realize that who they just buried was not Tonya Hughes, so now they're asking, 'What happened?'.

Orange Juice no Pulp

   2022    Culture
In a world where nothing seems to ever work out as you had hoped, The Rehearsal features Nathan Fielder helping ordinary people rehearse difficult conversations or life events through the use of sets and actors hired to recreate real situations. The situations can be trivial, like confessing to a lie about educational history, or more complex, like raising a child. Fielder commissions extravagant sets with every detail recreated. He hires actors to inhabit these sets and practice different dialogue trees with his clients dozens of times. Information used to train the actors and build the sets is often collected without the subjects' knowledge.
In the firs episode, Nathan Fielder helps Kor Skeete, a Brooklyn-based trivia aficionado who wants to confess to his bar trivia team that he lied about having a master's degree. Nathan reveals an elaborate method of rehearsals involving an actor (K. Todd Freeman) playing a 'fake Kor'. To help Kor rehearse the difficult conversation with his teammate Tricia to clean this long-held lie, Nathan creates simulations of trivia night with a fake Tricia in a full-scale replica of the Alligator Lounge, a Brooklyn bar. Kor overcomes his fears and makes his confession to the real Tricia.
Series: The Rehearsal

Hitler Supercars

   2020    Culture
The film tells the story of the ill-fated Nazi Land Speed record attempts. This is a story of engineering excellence, Grand Prix racing, Nazi propaganda, celebrity, and an intense rivalry which would leave a speed record unbroken for 79 years and one of Nazi Germany's best racing drivers dead. During the rise of the Third Reich two German car manufacturers were ordered to build the most high performance vehicles the world had ever seen. What followed was a rivalry that would reap Grand Prix victories, international domination that was a propaganda coup, and provide world fame to its drivers who risked their lives smashing speed records that would stand for 79 years. All under the direct orders of the Fuhrer himself.
Bugatti and Alfa Romeo dominated racing before 1934. But the years from 1934 to 1939 were six tumultuous years in which Grand Prix racing was dominated by the German Auto Union, the arranged marriage of Audi, Horch, Wanderer, and DKW, and Mercedes-Benz teams and provided a spectacle of speed, sound and fury never previously attained and never since matched. There are few periods of racing that have excited as much interest, event attendance and sophistication of equipment as the era of the Silver Cars. They were so far ahead of their time that many of their accomplishments were not duplicated until Mercedes went racing again in the early 1950s. There is also something about men who faced the challenges of staying in a cockpit of a highly sophisticated machine capable of 200 mph with no safety systems. They were giants and among them were Italian Tazio Nuvolari and two greatest German pilots of the thirties, Rudolf Caracciola of Mercedes and Auto Union's Bernd Rosemeyer who duelled with faster, more innovative and sleeker machines, developed in wind tunnels.
This special documentary charts the rise of Nazi Germany's dominate 'Silver Arrow' Grand Prix and Speed Record cars of the 1930's. Leading motor racing and World War 2 experts James Holland, Richard Williams, Eberhard Reuss and Chris Routledge tell the story of the Nazi funded Auto Union and Mercedes Benz 'National Racing Cars'. Hitler's Supercars interweaves the rise of the Third Reich with the racing exploits it funded and what propaganda messages these racing cars where sending.

I am not a Nazi

   2022    Culture
In this second episode, a woman recounts her journey to becoming a mouthpiece for white nationalist hate speech, work that culminates in high-profile violence and murder. Samantha confesses how she became a spokesperson on the Internet for the hate speech of one of the many white nationalist groups that swarm the United States. And this fact ended in racist violence and death during an event.
'I had to start to realize what I was supporting. Was I the victim or was I also a villain?' says Samantha, looking into the camera. Hand in hand with xenophobia, digital true crime seems to have no respite, and so it will be shown how those supremacists work with good Wi-Fi.
Series: Web of Make Believe: Death Lies and the Internet