Professor Brian Cox journeys across the vastness of time and space revealing epic moments of sheer drama that changed the universe forever.
The series begins this epic exploration of the cosmos with a hymn to the great luminous bodies that bring light and warmth to the universe: the stars. It is estimated that there are two hundred trillion stars in the universe, each playing their part in an epic story of creation- a great saga that stretches from the dawn of time, with the arrival of the first star, through diverse generations until the arrival of our own star, the sun, and a civilization that has grown up in its light.

Everywhere you go, you generate a cloud of data. You're trailing data, everything that you do is producing data. And then there are computers looking at that data that are learning, and these computers are essentially trying to serve you better. They're trying to personalize things to you. They're trying to adapt the world to you. So on the one hand, this is great, because the world will get adapted to you without you even having to explicitly adapt it. There's also a danger, because the entities in the companies that are in control of those algorithms don't necessarily have the same goals as you, and this is where I think people need to be aware that, what's going on, so they can have more control over it.
We came into this new world thinking that we were users of social media and search engines. It didn't occur to us that social media and search engines were actually using us.

Lil Hughes Knipp recalls meeting Father Maskell near his end... and knowing that he would never be charged. The search for Brother Bob and a potential killer begins, and the revelation of a potential suspect named Edgar Davidson comes forward with an interesting story.
With more people coming forward, more suspects appear including a man named Billy Schmidt who lived in Cathy’s apartment. A contact from one of Cathy’s sisters could give new insight on the case.

The enemy gains ground when the massive Tet Offensive catches the Americans by surprise. At Khe Sanh and Pleiku, U.S. troops are under siege. Americans mount a counteroffensive but the shock of the assault ignites anti-war fervour at home.

Arguably the most powerful painting about war ever achieved. It portrays the slaughter of civilians after Napoleonic troops entered Madrid in 1808. The programme reveals the historical truths behind the painting and shows exactly how Goya achieved this masterpiece of protest. he painting's content, presentation, and emotional force secure its status as a groundbreaking, archetypal image of the horrors of war. Although it draws on many sources from both high and popular art, The Third of May 1808 marks a clear break from convention. Diverging from the traditions of Christian art and traditional depictions of war, it has no distinct precedent, and is acknowledged as one of the first paintings of the modern era.
According to the art historian Kenneth Clark, The Third of May 1808 is 'the first great picture which can be called revolutionary in every sense of the word, in style, in subject, and in intention'. Discover how Goya used drawings by authentic witnesses to depict a real firing squad.

Superman is really the all-father of superheroes. He is the Odin from which all else springs forward. Without Superman, there's no Marvel or DC, no billion-dollar blockbusters. His logo is one of the three most recognizable symbols on the planet, and it stands shoulder to shoulder with the crucifix and the Jewish star. Superman became a worldwide phenomenon and was created by two working-class kids from Cleveland, Jerry Siegel and Joe Shuster.
Superman is for justice and it's kind of ironic that there was a great injustice done to his creators. Siegel and Shuster lost everything, and just like Superman, they demanded justice. They fought for years to receive proper credit and compensation.